JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org.. Clark Atlanta University is collaborating with JSTOR to digitize, preserve and extend access to The Phylon Quarterly. colorful streets of Trinidad thronging with peoples of many nationalities; Saba's boat building town in a volcanic cove; the turbanned Creole women of Martinique; the birds of paradise of Tobago; and over all sunshine, trade winds and bright blue skies. Lest the reader get the mistaken idea that the peoples of the West Indies are a fun loving, Calypso singing, drum beating group of quaint primitives, Mr. Hughes lists at the end of his book the names of men and women of West Indian birth who have made or are making significant contribution to world history, art and entertainment. Among them are Alexandre Dumas, Alexander Hamilton, Toussaint L'Ouveture (Pierre Dominique), Empress Josephine, Jose Ferrer, Arthur Stromberg, Hazel Scott, Desi Arnaz, Hugh Mulzac and others.If at times the descriptions are somewhat direct and lacking in that picturesque quality of presentation which readers have learned to expect from one of Mr. Hughes' poetic virtuosity, it must be remembered that as a First Book this is geared toward juvenile audiences, a group generally impatient with verbose presentations. The book's appeal, however, is not limited to the young.Not the least of the charms of this little book are the fresh, creative illustrations by Robert Bruce. They are appropriately adapted as background for the commentary which is truthful, informative, clear and entertaining.
