Buku Pedoman Ruang Ramah Anak Berbasis Kearifan Lokal tahun kedua difokuskan pada penyempurnaan isi, tata tulis dan kelengkapan gambar agar terbaca dengan jelas oleh pengguna. Langkah penyempurnaan dengan jalan (1) melengkapi ilustrasi sesuai dengan poetunjuk serta menyesuaikan dengan bahasa formal. (2) memvalidasi dengan pakar pendidikan anak usia dini, Guru pendidikan anak nusia dini serta pemangku kepentingan dari subbag sarana-prasarana Dinas Pendidikan, Pemuda dan Olah Raga. (3) Fokus Group Discussion dan Seminar. Hasil perbaikan digunakan untuk menyempurnakan buku panduan yang dimaksud.

Kawung Batik has local wisdom values in describing its motives whereas each of them can be found in the "Batik Language". The position of values of local wisdom, roles and functions is elaborated as follows: (1) for the conservation and preservation of natural resources, (2) the development of human resources, (3) the development of culture and science, (4) as a source of advice / belief / literature and taboos, (5) as a means of building communal integration, (6) as ethical and moral grounds, and (7) political functions. The symbol of wisdom, and self-control in the Kawung Batik motif can be implemented in the moral education. Through values of local wisdom of Kawung Batik, it is expected that the objectives of moral education can be obtained, namely educated morals, intelligence, personality and noble character in accordance with ideals and curriculum objectives in Indonesia.

The opportunity space in the Gendang Beleq art of Lombok provides thinking and interpretation for societies who watch the show. The value of opportunity space becomes essential because it influences the social environment and how people view the artwork. The art of Gendang Beleq contains cultural values, morals, and religious values. These three values lead to a domain of character education that sustains Lombok people's life guidelines.

This study aimed to examine the signs in the Kirab of Tuk Si Bedug traditional ceremony in the current hyperreality age. Kirab is a part in the series of Tuk Si Bedug traditional ceremony at Margodadi village, Seyegan, Sleman. This study employed Jean Francois Lyotard's semiotics which unravels fragmentations in a small narrative deeper, playing between language and art. This study also offers information on the facts behind the Kirab tradition in the millennial or current hyperreality age involving media to share information and consumptive behavior in the traditional ceremony.

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