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Fascist Italy and Nazi Germany, along with other twentieth-century authoritarian regimes, have often attempted to create consensus through propagandistic reinterpretations of the classical past. The Fascist appropriation of romanità and Nazi philhellenism were not only conditioned by prior cultural receptions of antiquity, but were also a key political tool in motivating and mobilising citizens to fulfil the aims of the fascist state. Once Fascism and Nazism had fallen, the material legacies of both regimes then became the object of destruction, reinterpretation and memory work. Thus, the archaeological and architectural heritage of these regimes, now tainted by their ideology, has not only suffered the consequences of damnatio memoriae in the aftermath of regime change, but continues even today to inflame contemporary public debate. This special issue represents the product of an interdisciplinary workshop exploring these themes, which was held at Sidney Sussex College, Cambridge, on 8 June 2018.

Studies of German philhellenism have often focused upon the idealization of Greece by German intellectuals, rather than considering the very real, at times reciprocal, at times ambivalent or even brutal, relationship which existed between contemporary Germans and the Greek state from the Greek War of Independence onwards. This review essay surveys historiographical developments in the literature on German philhellenism which have emerged in the past dozen years (2004–16), drawing on research in German studies, classical philology and reception studies, Modern Greek studies, intellectual history, philosophy, art history, and archaeology. The essay explores the extent to which recent research affirms or rebuts that notion of German cultural exceptionalism which posits a Hellenophile Sonderweg – culminating in the tyranny of Germany over Greece imposed by force of arms under the Third Reich – when interpreting the vicissitudes of the Graeco–German relationship. The discussion of new literature touches upon various themes, including Winckelmann reception at the fin-de-siècle and the anti-positivist aspects of twentieth-century philhellenism, the idealization of ‘Platonic’ homoeroticism in the Stefan George-Kreis, the reciprocal relationship between German idealist philhellenism and historicism, and the ways in which German perceptions of modern Greece's materiality have constantly been mediated through idealized visions of Greek antiquity.

While it is generally acknowledged that fascist movements tend to glorify the national past of the country in which they arise, sometimes, fascist regimes seek to resurrect a past even more ancient, and more glorious still; the turn towards ancient Greece and Rome. This phenomenon is particularly marked in the case of the two most powerful and indisputably ‘fascist’ regimes of all: Benito Mussolini’s Italy and Adolf Hitler’s Germany. The author suggests that this twin turn towards antiquity was no mere accident, but was rather motivated by certain commonalities in national experience. By placing these two fascist regimes alongside each other and considering their seduction by antique myths in tandem, it is argued that – without putting forward some kind of classicizing Sonderweg – we can better appreciate the historic rootedness of this particular form of ‘chronopolitics’ in a complex nexus of political and social causes, many of which lie far deeper than the traumatic events of the Great War and its aftermath.

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