No abstract

Cet article est un compte-rendu du livre : Mercè Boixareu (dir.), Esther Juan-Oliva, Angela M. Romera-Pintor (éd.), Figures féminines de l’histoire occidentale dans la littérature française, Paris, Honoré Champion, coll. « Bibliothèque de littérature générale et comparée », 2016, 482 p., EAN 9782745344557.

Siguiendo la pregunta planteada por Maria Hermínia Laurel en su excelente artículo titulado "Lecturas de escritores: 'cosmovisión' y referencias literarias en la correspondencia de Alice Rivaz" (2010), proponemos cuestionar las construcciones auctoriales que ocultan la obra de Alice Rivaz. conexión. Autora suiza de la lengua francesa, multiplica las construcciones de una autora, no solo en su obra literaria, que firmará con un nombre, sino también en su prolífica correspondencia con tres autores suizos contemporáneos, que proponemos estudiar aquí. . Following the question posed by Maria Hermínia Laurel in her excellent article entitled “Lectures d’écrivains: ‘vision du monde’ et référents littéraires dans la correspondance d’Alice Rivaz” (2010), we propose to question the auctorial constructions that conceal Alice Rivaz's correspondence. Swiss author of the French language, she multiplies the constructions of a self-author not only in her literary work, which she will sign with a pen name, but also in her prolific correspondence with three contemporary Swiss authors, which we propose to study here. Faisant suite au questionnement posé par Maria Hermínia Laurel dans son excellent article intitulé “Lectures d’écrivains: ‘vision du monde’ et référents littéraires dans la correspondance d’Alice Rivaz” (2010), nous nous proposons d’interroger les constructions auctoriales que recèlent les correspondances d’Alice Rivaz. Auteure suisse de la langue française, elle démultiplie les constructions d’un soi-auteure non seulement dans son œuvre littéraire, qu’elle signera d’un nom de plume, mais aussi dans sa prolifique correspondance avec trois auteurs suisses contemporains, que nous proposons d’étudier ici.  Seguendo la domanda posta da Maria Hermínia Laurel nel suo eccellente articolo dal titolo "Letture di scrittori: 'visione del mondo' e riferimenti letterari nella corrispondenza di Alice Rivaz" (2010), proponiamo di mettere in discussione le costruzioni auctoriali che nascondono le Rivel di Alice Rivaz collegamento. Autrice svizzera della lingua francese, moltiplica le costruzioni di un autore di sé non solo nella sua opera letteraria, che firmerà con un nome, ma anche nella sua prolifica corrispondenza con tre autori svizzeri contemporanei, che proponiamo di studiare qui.

No abstract

<p>In the line of recent studies (Reid, 2010; Planté, 2003), this contribution deals with the place of the feminine authors in the French literary canon and with the status of author. This political question also raises questions about the corpus’ construction of the classics of the literature which are taught and serve as references in literary studies. If women represent approximately 50 % of the world’s population, they are far from proportionally representing in literature. Thus, the scarcity of women in Literary History will be at the center of our preoccupation, and we will endeavor to show how societies have influenced the representation of women in literature, and how feminine authors have denunced the image of inequalities between men and women in their works.</p>