Although the influence of English on Dutch is mainly visible in a large number of lexical borrowings (De Decker & Vandekerckhove, 2012; Berteloot & Van der Sijs, 2002), a newly compiled corpus of chat conversations between Dutch young adults shows that some native speakers of Dutch codeswitch to English in their Dutch conversations and use English creatively. In this study this is explained as an identity practice for young gay men in a community of practice where non-heteronormative gay-celebratory identities are constructed, due to the connotations of English with the (always English-speaking) entertainment in which these speakers can find multidimensional, young, and ‘cool’ gay role models.

In the previous issue of English Today, Lukač (2016) discusses the increasingly important role of online language authorities for users of the internet who are looking for usage advice. However, prescriptivism also reaches these users when they are not actively looking for it. They encounter advice in newsfeeds in different social media, such as Twitter and Facebook, and some of them join online groups to discuss usage problems. The standard language ideology seems to have established itself firmly on these new platforms, adapting itself in the process. Articles on usage shared on social media are almost without exception in the form of lists with eye-catching ‘clickbaity’ titles (e.g. ‘7 Grammar Mistakes That Make You Look Dumb’), and their most important topics differ strongly from those of traditional prescriptivism.

The end of Polder Dutch? De perception of /εi/ and /ai/ in Standard Dutch in the Netherlands.While most early research on so-called Poldernederlands ‘Polder Dutch’ (Van Bezooijen 1999; Van Bezooijen & Van den Berg 2001) finds differences in perceptions between this supposedly substandard variety and Standard Dutch, this paper aims to demonstrate that present-day language users do not distinguish between the two varieties (anymore). Two combined matched-guise experiments show that non-linguists are unable to name the variety and that they do not score them differently on a large number of evaluative scales. The results suggest the end of Polder Dutch as a perceptually separate variety, and the absorption of its most marked feature, viz. the lowering of /εi/ to /ai/ into Standard Dutch.