The article deals with the symbolism of music and musical elements image in the poetic systems of Ukrainian lyricist and polish symbolists. Music and musical elements images are figurative and symbolic art equivalent of poetic in Olek-sandr Oles’ autoreceptive discourse. In a variety of forms musical element is not only constant attribute of shape series thematic paradigm of Oleksandr Oles’ poems, but a powerful jet of vivid artistic symbolism, which in different variations, with subtle neuenswander of its different semantic and stylistic color shades, is transformed into a permanent symbolic leitmotif that accompanies all the works of the poet. Semantic and poetical features of artistic symbolism individual style of Olex-ander Oles sare performed in the proposed study. Attention is focused on the image of music and musical elements in the Ukrainian lyricist poetic systems.In the poetic work of Olexander Oles his numerous musical allusions, for which analogies are established between semantics and poetics, as well as the range of subjects of the poetic text with the performers and the specifics of the artistic element of the musical work, are constant. Among the musical definitions which are most often used by Alexander Oles, emphasizing the organic kinship of the poetic and musical elements, in his work there are symbolic images of song, singing or strings. Musical resonance in the soul of the poet is extremely often caused by the sounds of the natural environ-ment, especially birds singing.The image of the “winged song”, which is similar to winged birds, becomes a leitmotif image-symbol that defines the semantic dominant of autoreceptive sing-ing reflections of the elements of musical/poetic in the lyrics of Olexander Oles.Walkthrough for the lyrics of Olexander Oles is the image of “broken strings”, which symbolize a wide range of poet’s emotional reactions to the significant events of different periods of his life, associated mainly with the motives of unsuc-cessful love relationships; misunderstanding; disappointment caused by the in-ability or unwillingness of compatriots to stand up for a decisive defense of their political rights and freedoms; creative fatigue of the poet, due to the processes of inevitable aging.

The article reveals the key priorities for the development of the tourism industry in the conditions of the war in Ukraine. It was determined that despite the Russian-Ukrainian war, which became almost destructive for the tourism industry of Ukraine, this branch of the economy continues to function and develop, adapting to new realities. It was found that in the nine months of 2022, the revenues of the state budget of Ukraine from the subjects of the tourism industry decreased by almost 34%, tax revenues from the activities of tourist operators – by 32%, tax revenues from the activities of travel agencies – by 5%. The domestic tourism market fell by about 50%, mainly due to the loss of tourists in the south of Ukraine. It was revealed that at the current stage, Ukrainian tourist operators are looking for new ways of development and are trying to enter, in particular, the European market. It was determined that the restoration of the viability of the tourism industry must begin with the regions least affected by the war. Highlighting the priorities of the functioning of the tourism industry in Ukraine, it was determined that the first priority should be the development of a strategy for the development of national tourism, taking into account international experience and European integration. It was determined that the basis of the post-war recovery of the tourism industry should be: memorial, military-patriotic and military-historical, medical and recreational, psychological, business, educational, sports and ecotourism. It was determined that in the post-war reconstruction of Ukraine, it will be necessary to actively implement and promote tourism potential, develop new initiatives and involve international partners in this process. It is predicted that new trends will be observed in the post-war recovery of the tourist industry: the need for health and recreation will increase; relaxation tourism will be actively developed; excursions to local places will be organized; interest in the history and national traditions of Ukraine will increase. In the post-war reconstruction of Ukraine, it is also worth taking into account the experience of countries that today have a strong tourism potential, but in the past suffered losses from war or armed conflicts.

The article examines the shaping of artistic and aesthetic symbolism concepts of Olexander Oles in the context of native traditions, the transformation of mythological images and stories in the artistic heritage of the artist (figurative, topical, genre). The influence of ancient and biblical images integration is defined, in a kind of symbolic space of the modernists’ poetry, showing a reflection of the myth and religion mutuality. Interpreting mythological material according to his philosophical foundations, the artist became the singer of the bonded region revival, of the man and his free native word. The shape of Prometheus has been analyzed. It is filled with symbolic nature, while gaining a national flavor in accordance with the mentality of the Ukrainian people, namely the willingness to sacrifice and a high level of humanism.

У статті розглядається образ романтичного поета-мандрівника у творчості Олександра Олеся та європейських символістів. Репрезентовано настрої людини, її почуття за допомогою орнітоморфних символів, що розкривають відчуття незгоди зі світом, оточенням. Окреслено функціонування образів пустелі та дороги, що можуть виступати формантами загальних психологічних станів епохи і характеризувати особисті переживання та настрої поетів.

У статті досліджується формування художньо-естетичної концепції символізму Олександра Олеся в контексті західноєвропейської традиції.