Providing engaging interpretation resources for museum and gallery visitors may have a great impact on the overall museum visiting experience all by assisting museums in maintaining long-term relationships with their public. This paper focuses on the ways through which AR can be employed in museum and gallery settings as an interpretation medium. It also introduces a new generation of multimedia guides for the museum visit inspired by the concept of Adaptive Augmented Reality (A2R). Adaptive Augmented Reality (A2R) provides visual and acoustic augmentations that come to supplement the artefact or site viewed by a museum or gallery visitor and monitors the cognitive and affective impact of all interactions of the museum visitor both with the physical and the digital environment. The ultimate goal is to make every museum visit unique, by tailoring an Augmented Reality visit with contents that are susceptible to increase the affective impact of the augmented museum visiting experience and hence encourage intrinsic and self-motivated learning.

Following the production of Turbulence, an original play featuring the experiences of creative arts therapists and creatives who identify as Black and people of colour (BPOC), members of the ensemble agreed to engage in an arts-based participatory action research process in which co-researchers drew on dramatic, visual, musical and poetic forms of inquiry to ask themselves about the realities and hopes faced by this community and the environmental conditions that would support their movement, growth and mobility. Findings emphasized the value and necessity of creative affinity groups together with sustainable structural, financial and relational support to encourage the hopes and dreams of BPOC students and professionals.