This paper presents our initial work on collection of recordings and related metadata with a view to the creation of digital library content for analysis of stylistic characteristics in Irish traditional music. We focus on ornamentation as this is a decisive stylistic determinant in Irish traditional music. The digital library contains a collection of audio recordings of prominent Irish flute players and metadata related to these recordings, such as manual annotation of onsets and offsets, identity of notes and ornaments, information related to performers and performers' style and make and type of instrument used.

Soundscape research has been gaining prominence in studies on the built environment. The soundscape concept is defined as the acoustic environment as perceived and/or understood by a person in context. Compared with traditional building acoustics, the soundscape concept brings interesting perspectives—but also challenges—for undergraduate architectural curricula, where it tries to strike a balance between qualitative and quantitative methodologies, a theoretical approach that in the context of soundscape studies it is often referred to as ‘triangulation’. Starting from real-world higher education courses, the aim of this paper is to examine how the soundscape approach can be integrated into teaching building acoustics at the undergraduate level in architectural courses. Methods such as soundwalks, acoustic measurements, and computational simulations that are commonly used in soundscape research are introduced in educational projects as tools for students to experience, analyse, and articulate the narrative around the sound environment to inform their design concepts and details.

This paper presents the curation and annotation of a collection of traditional Irish flute recordings to facilitate the analysis of stylistic characteristics. We introduce the structure of Irish tunes, types of tunes and the ornamentation, which is a decisive stylistic determinant in Irish traditional music. We identify seminal recordings of prominent flute players and provide information related to players and their style and geographical context. We describe the process of manual annotation of the audio data. The annotations consist of the onsets of notes, note frequency and identity of notes and ornaments. We also present initial stylistic analysis of individual players in terms of ornamentation and phrasing and provide a variety of statistics for the data. The ability to accurately represent and analyse stylistic features such as ornaments allow for the development of discourse related to several key ethnomusicological questions surrounding music making, musical heritage and cultural change.

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