Abstract. The state of laser processing in surface materials modification in Poland is reported, based on own experience, coworkers and coauthors results, as well the literature review. The curriculum concerning historical development of lasers and laser technology in Poland, laser-matter interaction, as well basis of different laser techniques applied in materials surface engineering (solid state hardening, melting, alloying, cladding, ablation, shot peening, cleaning and texturing) are reviewed, and compared with results of coauthors, as well with a wide range of Polish authors papers. Finally, it is concluded that overall state of research on laser application in surface engineering in Poland is well developed and still growing industrial application is observed.

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This contribution discusses the analysis of polymeric paint layers and the removal of graffiti from historical buildings and sculptures. The main objective of the research is to compare the effectiveness of nanosecond (ns) laser ablation with traditional cleaning procedures for the removal of painted graffiti from the surface of monuments. The vast number of various aerosol paints used for graffiti which contain different binders, solvents, and pigments does not allow the use of a single or universal cleaning method. In this study the efficacy of laser ablation was compared with chemical and mechanical cleaning methods. The laser system used for cleaning was a ns Nd:YAG, irradiating at 1064, 532, and 355 nm. Laser cleaning tests were performed on samples of limestone, sandstone, plaster, and brick covered with black, white, and red graffiti paints based on nitrocellulose, acrylic, and alkyd resins. Fourier transform infrared spectroscopy (FTIR) and scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM-EDX) were used to characterize paint binders. The morphology of treated surfaces was examined by optical microscopy and SEM. The results indicated the high efficiency of laser cleaning compared to traditional graffiti removal methods. A strong dependence of the efficacy of laser ablation on the paint composition and the porosity of the substrate was observed.

The main tasks of conservators of artworks and monuments are the estimation and analysis of damages (present condition), object conservation (cleaning process), and the protection of an object against further degradation. One of the physical methods that is becoming more and more popular for dirt removal is the laser cleaning method. This method is non-contact, selective, local, controlled, self-limiting, gives immediate feedback and preserves even the gentlest of relief - the trace of a paintbrush. Paper presents application of different, selected physical sensing methods to characterize condition of works of art as well as laser cleaning process itself. It includes, tested in our laboratories, optical surface measurements (e.g. colorimetry, scatterometry, interferometry), infrared thermography, optical coherent tomography and acoustic measurements for “on-line” evaluation of cleaning progress. Results of laser spectrometry analyses (LIBS, Raman) will illustrate identification and dating of objects superficial layers.

A detailed feasibility study on the combined use of laser-induced breakdown spectroscopy with optical coherence tomography (LIBS/OCT), aiming at a realistic depth-resolved elemental analysis of multilayer stratigraphies in paintings, is presented. Merging a high spectral resolution LIBS system with a high spatial resolution spectral OCT instrument significantly enhances the quality and accuracy of stratigraphic analysis. First, OCT mapping is employed prior to LIBS analysis in order to assist the selection of specific areas of interest on the painting surface to be examined in detail. Then, intertwined with LIBS, the OCT instrument is used as a precise profilometer for the online determination of the depth of the ablation crater formed by individual laser pulses during LIBS depth-profile analysis. This approach is novel and enables (i) the precise in-depth scaling of elemental concentration profiles, and (ii) the recognition of layer boundaries by estimating the corresponding differences in material ablation rate. Additionally, the latter is supported, within the transparency of the object, by analysis of the OCT cross-sectional views. The potential of this method is illustrated by presenting results on the detailed analysis of the structure of an historic painting on canvas performed to aid planned restoration of the artwork.