In historical research on internationalism and the international sphere, the rise of the international congress during the nineteenth century has long played a prominent role. This article investigates the making of the international congress as a phenomenon by comparing three early series of meetingsanti-slavery conventions, peace congresses and philanthropic congresses during the 1840 s and 1850 sas communicative events. The analysis shows that their staging was influenced by the fact that these meetings were organised to mobilise reform movements, and that they relied on a public sphere where elite groups, gathered in the metropoles of Europe, could expect that their speeches would reach geographically dispersed audiences through print media. A general conclusion is that these meetings pioneered a new way of being internationalcalled 'representative internationality' in the articlethrough how they were arranged as independent actors beyond local contexts that could both 'speak for' and 'speak to' different collectives.

The 1840s saw the creation of weekly illustrated newsmagazines in several European countries, with titles like the Illustrated London News, L'Illustration, and the Illustrirte Zeitung. This article questions the common assumption that these influential periodicals contributed to modern news time primarily by speeding up the consumption of visual information through rapidly produced and consumed eyewitness accounts. An analysis of the many images of staged public events, like inaugurations, political meetings, and parades, that were published during the early years of illustrated news instead shows than they were often produced as translations of information from different sources (both visual and verbal) and created as pictorial summaries of events in a way that can best be described as “synoptic.” Rather than ephemeral reflections of an ever-changing present, such visual condensations also served to commemorate and make lasting and thus contributed to establishing the very events on which the experience of a fast-forward movement of time was based.

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