The purpose of this study was to examine how the emergence of fine art logistics studies was primarily driven by the need for collaborative-innovative spaces to enhance the activities of the creative industry. Fine art logistics services are a relatively new branch of existing logistics resources in Malaysia. Third-party logistics providers' fine art logistics services and niche market strategy are both lacking and poorly researched. Indeed, cooperation between creative students at local universities, third-party logistics services, and niche market strategy in Malaysia. An effective fine art logistics digital platform based on the other study's successful model will improve and settle new innovative business trends, opening new opportunities for fine art graduate students in Malaysia's creative industry.

The goal of this paper is to talk about the idea of art making as a studio art production process and to describe how studio praxis can be a fundamental ground for generating new knowledge in which an artist innovates, discovers, introduces, rejects, chooses, compromises, transforms, and analyses within the premise of making. The studio is defined as an ontological premise (what the studio is) and a methodological procedure (how things are made in the studio). Studio art production shows the studio as a place where theory and practice, thinking and making, meet in making new knowledge.

This project aimed to discuss how the adaptations and negotiating of socio-political issues are discovered in painting throughout creativity and work making. The artistic research supported the whole phases for this project, which begin with the visual analysis, selecting possible imagery and studio logistic for artwork making. The artwork development stimulates different formulation character of the artwork. They have included where the complex socio-political issues have emerged out of the changing socio of our developing nation and region.