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This paper presents a critique and some theoretical reflections on the relationship between the genres of charm and prayer in folklore and religions scholarship. I draw special attention to the construction of the liminal genre of 'archaic prayer' in Hungarian scholarship and its relationship to magic and the 'charm' genre as elucidated in the work ethnographers Éva Pócs, Zsuzsanna Erdélyi and Irén Lovász amongst others. It is commonly recognised that scholarly distinctions between genres cut across emic categories and insider knowledge structures. Drawing on the work of Pierre Bourdieu, this paper critiques the discourse on archaic prayer in relation to the dichotomy between magic and religion and the emic/etic distinction through a focus on power/knowledge relations and the politics of language in the religious field.

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