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Although high-income countries share and value the goal of protecting children from harm, national data on child maltreatment and the involvement of social services, the judiciary and health services remain relatively scarce. To explore potential reasons for this, a number of high-income countries across the world (Belgium, Canada, Germany, the Netherlands, New Zealand, South Korea, Switzerland and the United States) were compared. Amongst other aspects, the impact of service orientation (child protection-vs-family-services-orientated), the complexity of systems, and the role of social work as a lead profession in child welfare are discussed. Special consideration is given to indigenous and minority populations. The call for high-income countries to collect national data on child maltreatment is to promote research to better understand the risks to children. Its remit ranges well beyond these issues and reflects a major gap in a critical resource to increase prevention and intervention in these complex social situations. Fortunately, initiatives to close this gap are increasing.

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This article makes the case for incorporating music into the history of war commemoration in 1920s Britain by examining John Foulds's A World Requiem, performed at the British Legion's first Festivals of Remembrance at the Royal Albert Hall between 1923 and 1926. A simultaneously modernist and spiritual work, Foulds's Requiem challenges Jay Winter's conclusion that modernism was unconcerned with public grief. The controversy which the Requiem caused also reveals the contested nature of public memory, particularly where music and religion were concerned. The Requiem's axing in 1927 points to a hegemonic process which, although it had yet fully to take shape, found no room on Armistice Night for Foulds's progressive ideals.

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