A setup that permits full-field vibration amplitude and phase retrieval with digital Fresnel holography is presented. Full reconstruction of the vibration is achieved with a three-step stroboscopic holographic recording, and an extraction algorithm is proposed. The finite temporal width of the illuminating light is considered in an investigation of the distortion of the measured amplitude and phase. In particular, a theoretical analysis is proposed and compared with numerical simulations that show good agreement. Experimental results are presented for a loudspeaker under sinusoidal excitation; the mean quadratic velocity extracted from amplitude evaluation under two different measuring conditions is presented. Comparison with time averaging validates the full-field vibrometer.

Method for tracking vibrations with high amplitude of several hundreds of micrometers is presented. It is demonstrated that it is possible to reconstruct a synthetic high amplitude deformation of auto-oscillations encoded with digital Fresnel holograms. The setup is applied to the auto-oscillation of a clarinet reed in a synthetic mouth. Tracking of the vibration is performed by using the pressure signal delivered by the mouth. Experimental results show the four steps of the reed movement and especially emphasize the shocks of the reed on the mouthpiece.

Opportunities for full field 2D amplitude and phase vibration analysis are presented. It is demonstrated that it is possible to simultaneously encode-decode 2D the amplitude and phase of harmonic mechanical vibrations. The process allows the determination of in plane and out of plane vibration components when the object is under a pure sinusoidal excitation. The principle is based on spatial multiplexing in digital Fresnel holography. Experimental results are presented in the case of an industrial application.

This paper presents methods for vibration analysis using digital Fresnel holography. Methods are based on time averaging for forced oscillations and pulsed recording devoted to auto‐oscillations. The two methods are applied to a clarinet reed. In the forced oscillation regime, the reed is excited by an acoustic wave with controlled frequency and amplitude such that the reconstructed holograms exhibit resolvable Bessel fringes. In the case of the auto‐oscillation regime, the reed is placed in an artificial mouth. Deformation of the clarinet reed can be extracted with the recording of 3150 pulsed digital holograms. Experimental results show the vibration behaviour of the clarinet reed under forced and auto‐oscillation regimes, exhibiting the modal structures and high amplitude shocks.

Abstract. The paper presents a two-color digital holographic interferometer. The set-up is devoted to the study of the fundamental dynamic of unconsolidated materials. Optical configuration and algorithms to recover the optical phase of two-color digitally encoded holograms are described. The method is based on a spatial-color-multiplexing scheme in which holographic reconstruction is performed using adapted wavelength zero-padding and reconstructing distance. Experimental results are presented in the case of granular media excited in the frequency range 400Hz-3000Hz and exhibits the 3D movement.