No abstract

Color editing in images often consists of two main tasks: changing hue and saturation, and editing lightness or tone curves. State-of-the-art palette-based recoloring approaches entangle these two tasks. A user's only lightness control is changing the lightness of individual palette colors. This is inferior to state-of-the-art commercial software, where lightness editing is based on flexible tone curves that remap lightness. However, tone curves are only provided globally or per color channel (e.g., RGB). They are unrelated to the image content. Neither tone curves nor palette-based approaches support direct image-space edits---changing a specific pixel to a desired hue, saturation, and lightness. ColorfulCurves solves both of these problems by uniting palette-based and tone curve editing. In ColorfulCurves , users directly edit palette colors' hue and saturation, per-palette tone curves, or image pixels (hue, saturation, and lightness). ColorfulCurves solves an L 2,1 optimization problem in real-time to find a sparse edit that satisfies all user constraints. Our expert study found overwhelming support for ColorfulCurves over experts' preferred tools.

A key advantage of vector graphics over raster graphics is their editability. For example, linear gradients define a spatially varying color fill with a few intuitive parameters, which are ubiquitously supported in standard vector graphics formats and libraries. By layering regions filled with linear gradients, complex appearances can be created. We propose an automatic method to convert a raster image into layered regions of linear gradients. Given an input raster image segmented into regions, our approach decomposes the resulting regions into opaque and semi-transparent linear gradient fills. Our approach is fully automatic (e.g., users do not identify a background as in previous approaches) and exhaustively considers all possible decompositions that satisfy perceptual cues. Experiments on a variety of images demonstrate that our method is robust and effective.

Palette‐based image editing takes advantage of the fact that color palettes are intuitive abstractions of images. They allow users to make global edits to an image by adjusting a small set of colors. Many algorithms have been proposed to compute color palettes and corresponding mixing weights. However, in many cases, especially in complex scenes, a single global palette may not adequately represent all potential objects of interest. Edits made using a single palette cannot be localized to specific semantic regions. We introduce an adaptive solution to the usability problem based on optimizing RGB palette colors to achieve arbitrary image‐space constraints and automatically splitting the image into semantic sub‐regions with more representative local palettes when the constraints cannot be satisfied. Our algorithm automatically decomposes a given image into a semantic hierarchy of soft segments. Difficult‐to‐achieve edits become straightforward with our method. Our results show the flexibility, control, and generality of our method.