This article defines and explores a set of methodologies for image-making that can be labelled as queer, based on concepts from queer and feminist theorists such as Jack Halberstam, José Muñoz or Donna Haraway. In order to do so, it builds on the author’s own artistic practice and lived experience and references the work of various artists within the fields of visual and performative arts. Amongst others, it discusses the conceptual frames of queer failure, drag as assemblage and utopian world-building and the ways in which they exist as artistic methodologies specifically within the field of image-making and illustration.