Face recognition performance has improved remarkably in the last decade. Much of this success can be attributed to the development of deep learning techniques such as convolutional neural networks (CNNs). While CNNs have pushed the state-of-the-art forward, their training process requires a large amount of clean and correctly labelled training data. If a CNN is intended to tolerate facial pose, then we face an important question: should this training data be diverse in its pose distribution, or should face images be normalized to a single pose in a pre-processing step? To address this question, we evaluate a number of facial landmarking algorithms and a popular frontalization method to understand their effect on facial recognition performance. Additionally, we introduce a new, automatic, single-image frontalization scheme that exceeds the performance of the reference frontalization algorithm for video-to-video face matching on the Point and Shoot Challenge (PaSC) dataset. Additionally, we investigate failure modes of each frontalization method on different facial yaw using the CMU Multi-PIE dataset. We assert that the subsequent recognition and verification performance serves to quantify the effectiveness of each pose correction scheme.

Deriving relationships between images and tracing back their history of modifications are at the core of Multimedia Phylogeny solutions, which aim to combat misinformation through doctored visual media. Nonetheless, most recent image phylogeny solutions cannot properly address cases of forged composite images with multiple donors, an area known as multiple parenting phylogeny (MPP). This paper presents a preliminary undirected graph construction solution for MPP, without any strict assumptions. The algorithm is underpinned by robust image representative keypoints and different geometric consistency checks among matching regions in both images to provide regions of interest for direct comparison. The paper introduces a novel technique to geometrically filter the most promising matches as well as to aid in the shared region localization task. The strength of the approach is corroborated by experiments with realworld cases, with and without image distractors (unrelated cases).

Prior art has shown it is possible to estimate, through image processing and computer vision techniques, the types and parameters of transformations that have been applied to the content of individual images to obtain new images. Given a large corpus of images and a query image, an interesting further step is to retrieve the set of original images whose content is present in the query image, as well as the detailed sequences of transformations that yield the query image given the original images. This is a problem that recently has received the name of image provenance analysis. In these times of public media manipulation (e.g., fake news and meme sharing), obtaining the history of image transformations is relevant for fact checking and authorship verification, among many other applications. This article presents an end-to-end processing pipeline for image provenance analysis, which works at real-world scale. It employs a cutting-edge image filtering solution that is custom-tailored for the problem at hand, as well as novel techniques for obtaining the provenance graph that expresses how the images, as nodes, are ancestrally connected. A comprehensive set of experiments for each stage of the pipeline is provided, comparing the proposed solution with state-of-the-art results, employing previously published datasets. In addition, this work introduces a new dataset of real-world provenance cases from the social media site Reddit, along with baseline results.

Creative works, whether paintings or memes, follow unique journeys that result in their final form. Understanding these journeys, a process known as "provenance analysis," provides rich insights into the use, motivation, and authenticity underlying any given work. The application of this type of study to the expanse of unregulated content on the Internet is what we consider in this paper. Provenance analysis provides a snapshot of the chronology and validity of content as it is uploaded, re-uploaded, and modified over time. Although still in its infancy, automated provenance analysis for online multimedia is already being applied to different types of content. Most current works seek to build provenance graphs based on the shared content between images or videos. This can be a computationally expensive task, especially when considering the vast influx of content that the Internet sees every day. Utilizing non-contentbased information, such as timestamps, geotags, and camera IDs can help provide important insights into the path a particular image or video has traveled during its time on the Internet without large computational overhead. This paper 1 tests the scope and applicability of metadata-based inferences for provenance graph construction in two different scenarios: digital image forensics and cultural analytics.

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