Widely discussed among scholars of cities in Africa is the need to conceive these cities as relational formations, but rarely is the sensory addressed. Scholarship on urban soundscapes has tended to emphasize aesthetic and technological practices without grappling with their aural political import. This article brings together these conversations in order to address the intersections of urban sound and politics in a small Ugandan city. Drawing on ethnographic fieldwork in the city of Gulu, the author examines how young Acoli men use aural, expressive social practices to sonically rework the city and their place in it. Referencing the work of ethnomusicologists, anthropologists, and critical theorists concerned with sound, the author argues that practices of “expressive sociability” elaborate a relational politics of city-making vis-à-vis their intimate exchanges that cross-fade with urban street soundscapes. This work aims to amplify the importance of ordinary aural practices to conceiving political valences of relational life in global south cities.

This article describes the process of producing Gulu SoundTracks, a digital sonic ethnographic project accessible at gulusoundtracks.org, with four Ugandan music producers based in Gulu. The album comprises eight digital audio tracks that tell stories about Gulu musically through the compositional mixing of field soundscape recordings. Using field recordings as samples opened up sampling as a multimodal method for ethnographic storytelling which entails listening that is “vexed” (Weheliye 2005), archival, multiple, and generative. Pointing to insights from the project's creative process, the author explores sound praxis as a modality for amplifying fruitful connections between ethnographic and Afrodiasporic arts traditions. In conversation with others using sound methods in anthropology, ethnomusicology, and digital sound studies, this article stages a dialogue between sound‐based work, critical treatments of Black and Afrosonic cultural production, and experimental ethnography. Sampling as method centers ethnographic imagination and points to critical possibilities field recording holds for anthropological knowledge production.