Villar-Argáiz, Pilar (ed). Irishness on the Margins: Minority and Dissident Identities. London: Palgrave Mcmillan, 2018. 290p.

This chapter provides a critical overview and a theoretical introduction to Narratives of the Unspoken in Contemporary Irish Fiction: Silences that Speak. Drawing on a wide range of perspectives and considerations on silence through a broad diversity of themes and functions, this introductory essay reclaims an unprecedented attentiveness to the unspoken in today’s Irish fiction. The chapter argues that in Irish contemporary writing silence features as multivalent and multifaceted: it can function as a form of resistance, a strategy of defiance, empowerment and emancipation, but also a way of covering up stories which remain untold and invisible, thus distorting or directly concealing inconvenient truths from the public eye. Ultimately, as the book itself demonstrates, for contemporary Irish writers, the unspoken is not just a constraint but a productive site of enquiry, a silence that “speaks”.

This chapter draws on care ethics and vulnerability theory to explore Sally Rooney’s Conversations with Friends (2017) and Normal People (2018) as novels that delve into contexts of silence and dysfunction in the lives of Irish millennials who experience their vulnerability as unspeakable, as a sign of weakness and abnormality in a competitive, individualistic world. The analysis details the ways in which Rooney’s characters adopt strategies such as passing, concealment and ironic distance, and how their anxieties highlight the injustices and contradictions of their neoliberal culture. This chapter ultimately argues that, even though in both novels plot events foreground the lies, omissions and frustrations of dysfunctional silences, a silence of refusal progressively emerges whereby Rooney’s protagonists evade social expectations, abandon previous pretences and begin to establish a more honest and caring relationship with their significant others.

In nationalist Ireland, definitions of family have traditionally followed a hetero-normative and sexist pattern whereby husbands and wives fulfilled deeply unequal roles. Moreover, the notion of family has been too often idealized as a site of peace and unconditional love, its members being united by unbreakable bonds of mutual affection. In Colm Tóibín's fiction, "traditional" families tend to be dysfunctional and the relations between their members become strained because of emotional distance, regrets and distrust. However, Tóibín's protagonists do find their sense of home and domesticity outside the traditional parameters of family. In this regard, this paper intends to analyze the manner in which Tóibín de-stabilizes canonical definitions through his revisionist agenda and his inscription of alternative forms of family. In order to shed light on these points, I shall refer to his novels The South

No abstract