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The flexibility of material culture encourages material phenomena to take a dynamic part in social life. An example of this is material citation, which can provide society with links to both the past and connections to contemporary features. In this article, we look at the diverging ways of relating to and reinventing the past in the Viking Age, exploring citations to ancient monuments in the landscape of Gammel Lejre on Zealand, Denmark. Complementing the placement of landscape monuments, attention is also brought to examples of mortuary citations related to bodily practices in Viking-age mortuary dramas, such as those visible at the mound of Skopintull on the island of Adelsö in Lake Mälaren, Sweden. Through these case studies, we explore the variability in citational strategies found across tenth-century Scandinavia.

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This article examines a small group of artefacts of the Viking Age that may have been perceived as animated objects. These specific weapons and pieces of jewellery appear in narratives in the Old Norse sources as named, as having a will of their own, as possessing personhood. In archaeological contexts the same types of artefact are handled categorically differently than the rest of the material culture. Further, the possible links between these perspectives and the role of animated objects in early medieval Christianity of the Carolingian Empire are examined through studies of the reopening of Reihengräber and the phenomenon offurta sacra. By linking studies of the social biographies of objects with studies of animism, the article aims to identify aspects of Viking Age ontology and its similarities to Carolingian Christianity.

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