BackgroundAbortion was legalised in Ireland in 2019 and telemedicine provision introduced in April 2020. We examined patterns in and reasons for seeking and receiving online telemedicine abortion outside the jurisdiction following legalisation and introduction of telemedicine abortion.MethodsQuantitative analysis compared frequency of contact, completed requests, service user characteristics and reasons for contacting Women on Web (WoW). Statistical analyses assessed if COVID-19 restrictions and the implementation of telemedicine abortion locally impacted on WoW contact patterns. Thematic analysis of email correspondence analysed reasons for seeking online telemedicine abortion.ResultsThere were 764 requests from Ireland to WoW in 2019–2020, with 225 (29.5%) completed. Requests declined by 90 (21%) between 2019 and 2020, and proportion of completed requests declined by 11.3% (n=70). During COVID-19 restrictions, the proportion of completed requests decreased even more (25%, n=24). Legal restrictions and cost declined as reasons for seeking online telemedicine and childcare, work/study commitments and being with partner/friend increased. During COVID-19 an abusive partner increased as the cited reason. Barriers cited in email correspondence included lack of proximate provider, not qualifying due to legal status and difficulty participating in consultations due to an abusive partner.ConclusionsOnline telemedicine abortion seeking from WoW outside the jurisdiction reduced in the second year of legalisation. Local introduction of telemedicine abortion addressed reasons cited for seeking online telemedicine, other than abusive partner. Increasing awareness of abortion provision, particularly access pathways, free cost and confidentiality, promoting normalisation and retaining local telemedicine can reduce reliance on online telemedicine. Extending the format of local telemedicine abortion to include text-based contact could alleviate how an abusive partner impedes access.
Over the last 50 years, Irish feminists have campaigned for women’s sexual health and reproductive rights, including access to contraception, legal abortion and choice in maternity care and childbirth. Recent cases like Ms. Y (2014), P. P. v. HSE (2014) and Ms. B (2016) invite a close scrutiny of the power dynamics relating to women’s reproductive bodies in Ireland. This article examines Becoming Beloved (1995) and The Touching Contract (2016), two performance-based artworks located in Dublin maternity hospitals. Both artworks centred the body as a site of production to interrogate these power dynamics while engaging with specifics of each location. This article charts the management of childbearing bodies in Ireland, looking specifically at issues concerning reproductive and sexual health, information and consent. It details how Irish performance art has responded to the political, social and cultural climate of restrictions on women’s bodies. Becoming Beloved and The Touching Contract both employed haptic encounters, multisensory perceptions composed of tactile, kinaesthetic and proprioceptive sensations that extended beyond a visual aesthetic. These haptic encounters contributed to a dimension of viewer engagement, integral in performance art to activating meaning. This article examines how these two artworks utilized haptic encounters to produce a situated, corporeal knowledge that critiqued the authority wielded over reproductive bodies by political, religious and medical establishments in Ireland.
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