Considering the role of popular cultural texts in shaping sociolinguistic reality, it makes sense to explore how children actually receive those texts and what conceptualisations of sociolinguistic diversity they form through those texts. Therefore, the aim of the present study was to examine Greek young children's views on sociolinguistic diversity in popular cartoons and TV series. Drawing upon a framework of media reception, we explored how attention to the ways children at age six interpret mediated representations of sociolinguistic difference might provide a methodological addition to tools used for investigating language attitudes and ideologies. From the analysis of children's interviews, it was found that they can easily distinguish between different dimensions of sociolinguistic difference, showing an enhanced sociolinguistic awareness. On the other hand, their reading positions seemed to be in acceptance with the meanings conveyed in the texts. Moreover, our findings suggest that children tended to make hegemonic readings of popular cultural texts, premising many of their evaluations on the ways in which sociolinguistic diversity was represented in the text (e.g. plot, characterisation). The implications of these findings for the role of popular culture in the shaping of children's language attitudes are discussed.

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Recent developments in literacy studies suggest that everyday media experiences of children should be included and inform school literacy. In light of this, in the present study, we map children's access and patterns of use, as well as children's and parents' stance and views on media. From the analysis of interviews with children and questionnaires with parents, it was made clear that children have rich media experiences in the home, having access to print, screen entertainment and digital media, whereas the presence of video games in Greek homes is more limited compared with other countries. Parents seem to be affected by the 'moral panics' often surrounding young children's use of media. Moreover, our study indicated that families with a more privileged social and educational background seem to be more oriented to print and digital media than families with a lower social status. In contrast, families of lower social and educational background tend to be more oriented to screen entertainment media. On the other hand, some significant differences with respect to the children's gender were disclosed, which seem to be linked to the social expectations and the distinct social roles of what means to 'be a girl' and 'a boy'. In conclusion, we suggest that a study including both the perspectives of parents and children on the latter's media activities in the home can better address the limitations of (self)-reporting and complement observational studies of literacy practices.

u ul l lt t ti i il l li i in n ng g gu u ua a al l l A A Ac c ca a ad d de e em m mi i ic c c J J Jo o ou u ur r rn n na a al l l o o of f f E E Ed d du u uc c ca a at t ti i io o on n n a a an n nd d d S S So o oc c ci i ia a al l l S S Sc c ci i ie e en n nc c ce e es s s I I IS S SS S SN N N 2

In this article, we present a program designed for and carried out with young children, which was based on the four-stage multiliteracies model: experiencing, conceptualizing, analyzing and applying creatively. The main purpose of the study was to develop children’s critical awareness of linguistic diversity through popular culture texts in a collaborative, creative and multimodal educational environment. The program was carried out for two school years: a) in the first school year, an intervention was implemented to 2nd grade children of a Greek primary school, and b) in the second school year, a similar intervention was applied to children of the 1st grade. In this article, we report on the results of the first school year’s intervention. The results revealed the positive impact of the program on children’s ability to easily distinguish between different types of speech styles due to geographical, age and socio-economic factors. The children understood – at least to some extent – that the texts of popular culture tend to display language diversity in a distorted and stigmatized way. The results of those implementations were very encouraging; a fact that stimulates our interest in continuing respective ventures by involving a wider sample of students and incorporating a greater range of popular culture texts.