The 2014–15 Ebola Virus Disease (EVD) outbreaks in Western Africa became widespread in primarily three countries, Guinea, Liberia, and Sierra Leone. Unlike all previous outbreaks in Central and East Africa, which were confined to rural areas, the virus spread rapidly through West Africa as a result of transmission through high-density urban centres coupled with the effects of public distrust in outbreak response teams and local government officials. Objective: In this study, we examine the EVD epidemic in Liberia, the first country to implement a community-based response that led to changes in the trajectory of the epidemic. The focus on the role of community-based initiatives in outbreak response is often neglected in conventional epidemiological accounts. In this light, we consider the manner in which community-based strategies enabled a more effective response based on the establishment of better trust relations and an enhanced understanding of the risks that EVD posed for the community. Methodology: We conducted qualitative research in five distinct communities in Liberia three years after the outbreaks subsided. Data collection procedures consisted of semi-structured interviews and focus group discussions with residents. Results: We found that the implementation of a community-based response, which included the participation of Ebola survivors and local leaders, helped curb and ultimately end the EVD epidemic in Liberia. As community members became more directly involved in the EVD response, the level of trust between citizens, local officials, and non-governmental organization response teams increased. In turn, this led to greater acceptance in abiding to safety protocols, greater receptiveness to risk information, and changes in mobility patterns—all of which played a significant role in turning the tide of the epidemic.

2016-12-24T18:13:07

2016-12-24T18:18:19

Hogarth’s Analysis of Beauty is well known for its celebration of the waving “line of beauty” and serpentine “line of grace.” This paper analyzes a serpentine sideboard, now in the Chipstone Collection, as an embodiment of Hogarth’s aesthetic system. By arguing that the sideboard embodies Hogarth’s aesthetics, this essay explores how the beautiful inanimate object acted as a model body for its contemporary viewers. Beauty was constructed as an attribute of the elite, and the responsibility to be a beautiful self was conferred more heavily on women than on men, so that the Chipstone sideboard can be read as a classed and gendered thing that negotiates aesthetic objectification.

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