Son of Man (2006) is the first Jesus film to be produced in South Africa and the first Jesus film with an all-black cast amongst all films about the life of Jesus. Son of Man retells the story of Jesus from the pre-1994 South African context and the transition to democracy. The film portrays a Jesus who is concerned about social justice and seeks to dismantle systems that perpetuate and maintain subjugation, oppression, discrimination and marginalisation. The film reinforces the ideology of black consciousness and the praxis of black theology creatively and artistically through film. Jesus in Son of Man embodies the life of Stephen Bantu Biko, and Steve Biko is thus given a Christ-figure around four things: non-violence, ideology, disappearance and death. A black Christological perspective is used to analyse the nature of Jesus Christ in Son of Man.

Since the inception of the Uniting Reformed Church in Southern Africa (URCSA) in 1994, the issue of theological education has occupied a key place in the meetings of General Synod. This article analyses the development and implementation of URCSA’s ministerial formation programme over the past 25 years through the lens of the Belhar Confession. It examines the extent to which not only the curriculum but also the practices of ministerial formation have become driven, guided and shaped by the commitments inherent in the Confession of Belhar. Due to space constraints, this paper uses only Article One of Belhar as an interpretive and evaluative lens and focuses only on the Northern Theological Seminary in Pretoria, hoping thereby to stimulate further reflection in a similar vein.