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This article seeks to explore some of the origins of Zygmunt Bauman's social thought. Using the metaphor of paths from a story by Borges, the article argues that Bauman's work follows paths which were opened up to him by Gramsci, Camus and Levinas. Bauman has acknowledged the importance of Gramsci and Levinas in his intellectual development and, therefore, the identification of a path leading from Camus is offered by way of circumstantial rather than direct evidence. The article discusses each of these thinkers in the context of Bauman's own themes and concerns and, in so doing, it is hoped to show that Bauman's work has long been marked by a consistence of ambition and foundational assumptions.

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A relatively under-analysed theme in the sociology of the media is the moral consequentiality for television viewers of representations and reports of the suffering of others. The theme has been broached by Michael Ignatieff, and this article uses an essay by him as an opportunity to develop the thesis that any consideration of the relationship between television and morality must centrally concern itself with the complex exchanges between television and its viewers. The article seeks to offer some initial themes and theses about the moral consequentiality of television.