This article examines some of the recent theological critiques of the movement of technological human enhancement known as ‘transhumanism’. Drawing on the comparisons between grace and technology often found in the theological discourse on transhumanism, this article argues that the Thomistic distinction between healing grace and elevating grace can not only supplement the theological analysis of transhumanism and its ethical implications, but also help Christian theologians and ethicists become more aware of how the phenomenon of technology may have implicitly shaped the contemporary understanding of ‘grace’ as well as the task of theology as a spiritual and indeed ethical practice.

This article considers how the notions of 'word' and 'conversation' can contribute to contemporary developments in theological metaphysics by drawing on Christoph Schwöbel's ontological rendition of Martin Luther's theology. By way of reading Schwöbel's theological ontology of conversation with reference to John Milbank's theology of the gift, this article shows that Schwöbel's conception of the Trinity as an eternal 'conversation' can be understood as an ontology of 'word-exchange' in a fashion similar to Milbank's account of trinitarian 'gift-exchange'. Moreover, the article argues that Schwöbel's Lutheran construal of creation as God's 'created words' (verba creata) can present a transcendental account of 'word' or verbum which complements Milbank's ontology of the gift or donum. By bringing to light these perhaps surprising convergences between Schwöbel's Lutheran theology of 'the word' and Milbank's Christian Neo-Platonic theology of 'the gift', this article highlights some of the often-overlooked metaphysical insights in Luther's theology of the word, which can contribute not only to ecumenical theological dialogue, but also foster new perspectives and conversations for contemporary developments and discussions in theological metaphysics.

This article offers a reading of Sartre's phenomenological ontology in light of the pre-modern understanding of ‘transcendentals’ as universal properties and predicates of all determinate beings. Drawing on Sartre's transcendental account of nothingness in his early critique of Husserl as well as his discussion of ‘determination as negation’ in Being and Nothingness, this article argues that Sartre's universal predicate of ‘the not’ (le non) could be understood in a similar light to the medieval scholastic conception of transcendentals. But whereas the scholastics saw the transcendental properties of oneness, truth, and goodness as reflections of God's divine perfections, Sartre's predicate of the ‘not’ operates as an atheistic transcendental which signifies the non-being of God – that God is not. By comparing Sartre's phenomenological ontology to medieval theological metaphysics, this article not only highlights the atheist underpinnings of Sartre's entire ontological schema in Being and Nothingness but also offers a new way of interpreting Sartre as a systematic transcendental metaphysician.

This article offers a reading of the “transcendental” character of Alain Badiou’s and Giorgio Agamben’s ontologies. While neither Badiou nor Agamben are “transcendental” philosophers in the Kantian sense, this article argues that their respective projects of ontology both recover aspects of the “classical” conception of the transcendentals. Not unlike how pre-modern philosophers conceived of oneness, truth and goodness as transcendental properties of all things, both Badiou’s and Agamben’s ontologies present various structures which can be universally predicated of all being. However, as opposed to the essentialist or even theological tendencies of traditional metaphysics, Badiou’s and Agamben’s ontologies are committedly “inessential” and atheistic at their very core. By replacing the divine names of the one, the true and the good in traditional metaphysics with a new yet quasi-classical transcendental notion of “the void” as a universal predicate of all beings, Badiou’s and Agamben’s works may be regarded as projects that go beyond both the pre-Kantian “theological” and the post-Kantian “subjective” conceptions of transcendental philosophy, thereby marking a new development in the history of western metaphysics.