In 2002 new “Dead Sea Scrolls” fragments began to appear on the antiquities market, most of them through the Kando family. In this article we will present evidence that nine of these Dead Sea Scrolls-like fragments are modern forgeries.

No abstract

Over 30 fragments purportedly from the Dead Sea Scrolls belonging to two private collections were published for the first time in Summer 2016. Virtually all of these fragments in The Schøyen Collection and Museum of the Bible are non-provenanced apart from verbal guarantees made by their sellers. An unusual feature of these fragments is that almost all of them correspond to texts from the Hebrew Bible, but also to a few previously known compositions from antiquity. This paper examines the published fragments from both collections according to their observable physical properties, as well as palaeographical and scribal characteristics, and seeks to understand from these more about their potential origin—whether from antiquity or modern times.

This essay examines continuities and discontinuities between Apocryphal Baruch and the Qumran Apocryphon of Jeremiah C, and attempts to situate these texts relative to one another and v»iithin their shared social matrix. Special attention is paid to their specific usage of scripture, their respective interpretations of the Babylonian exile, their implied understanding of efficacious Jewish religious practice in the second and first centuries B.C.E., and how these were further reflected in the reputation of their protagonists: the prophet Jeremiah, and his scribal companion Baruch.

No abstract