For 12 days in May 2005, the Museum of Modern Art (MoMA) in New York and the Smithsonian's National Museum of the American Indian (NMAI), as well as several other screening venues in Washington, D.C., hosted a group of renowned indigenous filmmakers from around the globe for the groundbreaking film showcase, “First Nations/First Features: A Showcase of World Indigenous Film and Media.” This film showcase highlighted the innovative ways in which indigenous filmmakers draw on indigenous storytelling practices to create cinematic visions that honor their long‐standing indigenous cultural worlds while reaching local and world audiences. In this essay, I highlight the onscreen impact through an analysis of several films featured in First Nations/First Features, as well as the offscreen impact emphasizing how the indigenous directors used this opportunity to strengthen social networks and share experience in this industry, which may develop into future collaborative film projects.

No abstract

No abstract

No abstract

No abstract