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Background: Concerns have been raised regarding the potential negative impacts of parents' smartphone use on the parent-child relationship. A scoping literature review indicated inconsistent effects, arguably attributable to different conceptualizations of parent phone use and conflation of phone use with technological interference. Methods: Based on a sample of n = 3, 659 parents collected in partnership with a national public broadcaster, we conducted a multiverse analysis. We explored 84 different analytic choices to address whether associations were weak versus robust, and provide clearer direction for measurement, theory, and practice. Effects were assessed in relation to p values, effect sizes, and AIC; we further conducted a meta-analytic sensitivity check. Results: Direct associations between smartphone use and parenting were relatively weak and mixed. Instead, the relation between use and parenting depended on level of technological interference. This pattern was particularly robust for family displacement. At low levels of displacing time with family using technology, more smartphone use was associated with better (not worse) parenting. Conclusions: Our results indicate fragility in findings of risks for parental smartphone use on parenting; there were few concerns in this regard. Rather, at low levels of technological interference, more phone use was associated with higher parenting quality. Scholars should avoid generalized narratives of family risk and seek to uncover real effects of smartphone use on family outcomes across diverse households and contexts.

This article examines the pervasive mechanisms of discrimination in Australian public broadcasting in the 1950s and 1960s and considers how concepts of femininity were engaged to maintain the sexual division of labour within one of Australia’s leading cultural institutions, the Australian Broadcasting Commission (ABC). Constructing a collective biography of female producers who challenged gendered work practices, it discusses the obstacles that confronted women in production and considers the social, economic and industrial factors that allowed certain women to become producers when many failed to escape the ABC’s typing pool. Referring to case studies derived from biographical memory sources and industrial documentation, this article historicises the careers of radio and television producers and contextualises their histories against data found in the 1977 Women in the ABC report, to re-imagine the nature of women’s work in Australian broadcasting in the post-war era.

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