AbstractThis article aims to review the important roles of health knowledge organization systems (KOSs) during the COVID-19 pandemic. Different types of knowledge organization systems, including term lists, synonym rings, thesauri, subject heading systems, taxonomies, classification schemes, and ontologies are widely recognized and applied in both modern and traditional information systems. Apart from their usage in the management of data, information, and knowledge, KOSs are seen as valuable components for large information architecture, content management, findability improvement, and many other applications. After introducing the challenges of information overload and semantic conflicts, the article reviews the efforts of major health KOSs, illustrates various health coding schemes, explains their usages and implementations, and reveals their implications for health information exchange and communication during the COVID-19 pandemic. Some general examples of the applications, services, and analysis powered by KOSs are presented at the end. As revealed in this article, they have become even more critical to aid the frontline endeavors to overcome the obstacles due to information overload and semantic conflicts that can occur during devastating historic and worldwide events like the COVID-19 pandemic.

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This case study aims to preserve and disseminate cultural heritage information about the North American community folk dance tradition of contra dance through development of a thesaurus of choreographic terms and a domain ontology. A survey of dance resources was conducted, reviewing historic and modern examples of contra dance choreography notation and instructions, records of dance events, and recordings of dance performances. Domain and content analysis were performed on the resources to collect and organize concepts and themes regarding choreographic components and their relationships, the structure and function of cultural works, their creative expressions, and the evidence of those expressions in documents and recordings. Vocabulary used in the description of contra dance choreography was identified, classified, and notated to build a thesaurus, which was used as the basis of a domain ontology. Ontology building methodology and existing conceptual models for cultural heritage domains guided the ontology development and revision phases. The study also seeks to safeguard an intangible cultural heritage by applying knowledge organization and semantic approaches to folk dance in order to model such challenges as multiple, simultaneous modes of communication and forms of representation, modular conceptual components, descriptive sequences, differing levels of structured information, and complex cultural networks found at various levels of domain discourse.

This research explores current controversies within country dance communities and the implications of cultural and ethical issues related to representation of gender and race in a KOS for an ICH, while investigating the importance of context and the applicability of semantic approaches in the implementation of synonym rings. During development of a controlled vocabulary to represent dance concepts for country dance choreography, this study encountered and considered the importance of history and culture regarding synonymous and near-synonymous terms used to describe dance roles and choreographic elements. A subset of names for the same choreographic concepts across four subdomains of country dance (English country dance, Scottish country dance, contra dance, and modern western square dance) were used as a case study. These concepts included traditionally gendered dance roles and choreographic terms with a racially pejorative history. Through the lens of existing research on ethical knowl­edge organization, this study focused on principles and methods of transparency, multivocality, cultural warrant, cultural hospitality, and intersectionality to conduct a domain analysis of country dance resources. The analysis revealed differing levels of engagement and distinction among dance practitioners and communities for their preferences to use different terms for the same concept. Various lexical, grammatical, affective, social, political, and cultural aspects also emerged as important contextual factors for the use and assignment of terms. As a result, this study proposes the use of semantic annotation to represent those contextual factors and to allow mechanisms of user choice in the design of a country dance knowl­edge organization system. Future research arising from this study would focus on expanding examination to other country dance genres and continued exploration of the use of semantic approaches to represent contextual factors in controlled vocabulary development.

To facilitate discovery of premodern manuscripts in US memory institutions, Digital Scriptorium, a growing consortium of over thirty-five institutional members representing American libraries, museums, and other cultural heritage institutions, has developed a digital platform for an online national union catalog. The platform will allow low-barrier and efficient collection, aggregation, and enrichment of member metadata and sustainably publish it as Linked Open Data. This article describes the methods and principles behind the data model development and the decision to use Wikibase. The results of the prototype implementation and testing phase demonstrate the practicality and sustainability of Digital Scriptorium’s approach to building an online national union catalog based on Linked Open Data technologies and practices.