The article presents the results of the research aimed at examining the "German text" in "Herald of Europe" of post-Karamzin period when the face of the first Russian thick magazine devoted to European culture, literature and politics was to the large extent determined by the translations chosen by its editor V. A. Zhukovsky. This famous Russian poet deliberately selected German periodicals to cover social and political issues in "Herald of Europe". In German periodicals he also used to find sources of apolitical articles on literature and culture. Due to V.A. Zhukovsky's work the Russian reader got acquainted with both popular European writers of that time and the authors of the second rank. A separate unit of publications translated from German originals and published in "Herald of Europe" was associated with the ancient Russian history. Therefore "Herald of Europe", with V.A. Zhukovsky as the editor-in-chief in the period mentioned, concentrated the ideals of European Enlightenment and became the area to enhance the Russian romantic style.

The proposed scenario of the interactive excursion-performance is designed for a children's audience of 9–11 years. The route is planned as a tour of the historical and cultural space, and reinvigoration of this Byzantine city. Thus, the excursion content is realized by means of a visual and associative consequence connected with the places of interests artistic artifacts: Christian character images reveal the world views of the medieval culture. The project is part of the academic partnership program of the Russian State Pedagogical University named after A.I. Herzen with the historical and archaeological museum-reserve “Chersonesos Tauric” and is implemented during visiting summer practices of bachelors of the Department of Theory and History of Culture.

The proposed scenario of the interactive excursion-performance is designed for a children's audience of 6–9 years. The task of the excursion-performance is to immerse the historical and cultural environment of the ancient policy through the participation of the child in gaming cognitive activity. The project is part of the academic partnership program of the Russian State Pedagogical University named after A.I. Herzen with the historical and archaeological museum-reserve “Chersonesos Tauric” and is implemented during visiting summer practices of bachelors of the Department of Theory and History of Culture.

The proposed scenario of the interactive excursion-performance is designed for a children's audience of 9–11 years. The route is planned as a tour of the historical and cultural space, and reinvigoration of this Byzantine city. Thus, the excursion content is realized by means of a visual and associative consequence connected with the places of interests artistic artifacts: Christian character images reveal the world views of the medieval culture. The project is part of the academic partnership program of the Russian State Pedagogical University named after A.I. Herzen with the historical and archaeological museum-reserve “Chersonesos Tauric” and is implemented during visiting summer practices of bachelors of the Department of Theory and History of Culture.

This paper offers an overview of the perception of work and the evaluation of the personality of 19 th century German poet Georg Herwegh. The research demonstrates that the character of perception is determined by the cultural and historical context in the receiving culture, and it is even more so with political poetry that is based on the rhetoric of spiritual edification. The analysis is made with reference to previously unstudied materials, namely, marks and notes from the archive of V. A. Zhukovsky made on the pages of Herwegh's most popular book. On the basis of this material the authors conclude that this period was characterised by the initial attempt to represent Herwegh and his poetry within the framework of the history of German literature from its emergence to the mid-19 th century. The second period of Russian authors' reference to his poetry was dominated by the appearance in Russia of the ideological tonality typical of the political poems that won the German poet his fame. The beginning of this period was the post-revolutionary decade of the 1820s. Russian literature specially turned to Herwegh's legacy, thus marking a new stage of perception by publishing Selected Poems, a new voluminous anthology of translations of his works, as well as a number of literary studies. A new burst of attention began between 2009 and 2013 when numerous articles on the relationship between the Herzens and Herwegh were published. Post-Soviet Russian scholars have examined the controversial personality of the German author through a lens which has brought new traits to the fore: the love triangle between Herwegh and the Herzens which was the main prototype of the conflict in Herzen's