This article considers the worldview, embodied in the decoration on Bronze Age pottery, created by the tribes of the Andronovo culture period (2nd millennium BC) in the territory of Kazakhstan. The Andronovo culture dates back to the Chalcolithic period when communities of the geometric pottery cultures lived here. Pottery was on the one hand utilitarian, and on the other sacral in use, combining elements of sculpture (the shape of a vessel) and painting (decorating an object). In the pro-cess of historical development, in accordance with the regularities of immanent formation and under the influence of external factors, several features of the decoration components emerged. The article contributes to the study of the problems, which remain relevant and require understanding. The opportunities for interpretation of pottery as a source and the use of different analysis methods allow for extracting new ethnological and art history information.

Purpose of the study: The purpose of the article is to determine the degree of interaction of the eastern and western art schools in the practice of Kazakh design and to identify their role in the formation and development of design in Kazakhstan. Methodology: The study is based on a complex methodology determined by an interdisciplinary approach involving the use of the methods of historicism, systematization, stylistic analysis, and comparative analysis. The methodology was based on research concepts of T. Stepanskaya, R. Yergaliyeva, E. Balabekov, B. Amanov, A. Mukhambetova. Main Findings: Based on the studied sources, the authors can draw the following conclusions: 1) The interaction of artistic traditions of the East and West is due to the fundamental unity of the human race, ensuring the permeability of cultural boundaries; 2) The diversity of creative individuality, originality of modern approaches combined with the achievements of traditional culture are the distinguishing features of the professional values of contemporary Kazakh design. Applications of this study: Thus, the scientific and practical significance of the study consists in the fact that: - the results can be the basis for the development of lecture courses in the framework of educational programs of higher education institutions for the specialty “Design”; - the conclusions can serve as an impulse for creative development in the modern practice of transmitting national traditions in design. Novelty/Originality of this study: The originality of the research is associated with the identification of trends and prospects for the development of fashion, advertising, interior, and environmental design in the modern cultural environment of Kazakhstan, as well as the establishment of the importance of spiritual and aesthetic foundations of color scheme in the disclosure of the figurative components of design projects. The novelty of the research consists in determining the influence of the traditional color scheme of Kazakh decorative and applied arts on the shaping and color scheme in the products of modern design, many of which are the main bearers of the regional ethno-semantics.

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