The present study deals with 20th century manufactured artists' oil paints containing raw and burnt umber pigments, this is, natural earth pigments resulting from the combination of iron and manganese oxides. Manganese, in particular, is known to be a primary drier and to have a siccative effect on oil paint films. This research aims to show the diversity of formulations behind apparently same commercial names as well as to understand how the content of manganese, the presence of modern lipidic media and the hydrolysis mechanisms can promote significant differences in the expected mechanical properties of oil paint films, thus conditioning their long-term performance. Several manufactured artists' oil paint films containing manganese were selected. Dried films from raw and burnt umber oil paints by Winsor&Newton® (UK), Grumbacher® (USA), Gamblin® (USA) and Speedball® (USA) were studied and information about their chemical composition and mechanical behaviour is here presented. In addition to the identification and the study of the inorganic and organic components present in each formulation through LM, SEM-EDX, FTIR-ATR, XRD, GC-MS analysis, tensile tests were run and stress-strain curves were obtained. Together with evident hue differences, the obtained results showed significant differences in the chemical composition and the mechanical behaviour of the oil paint films.

Commercial poly(vinyl acetate) (PVAc) paint formulations for artists include a number of compounds in addition to the PVAc polymer and pigments to improve the physical and chemical properties of the resulting product. Among the most common additives are surfactants, coalescing agents, defoamers, freeze-thaw agents and thickeners. These products significantly influence the behaviour of the dried film. Nevertheless, they are usually difficult to detect with conventional analytical methods given their low concentration. In order to identify these additives, present in the dried film as minor components, an analytical method based on in situ thermally assisted pyrolysis-silylation gas chromatography-mass spectrometry (GC-MS) using hexamethyldisilazane as a derivatisation reagent is proposed. This method improves the conventional GC-MS analysis performed by direct pyrolysis and enables the simultaneous identification of the PVAc binding medium and the additives included by the manufacturer in the commercial paint. Five different commercial PVAc paints have been analysed, namely, armour green, burnt umber, oriental red, raw umber and white from Flashe. Internal plasticiser VeoVa consisting of C(10) fatty acids with highly branched chains has been recognised from the MS spectra. On the other hand, the differences found in the additive content of the studied paints, in particular the poly(ethylene glycol)-type surfactant, are in good agreement with their mechanical properties.

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This work proposes a multi-method approach that combines advanced microscopy (SEM/EDX, AFM) and spectroscopy (UV-vis and FTIR) techniques. This approach not only characterises the behaviour of the additives of two commercial poly(vinyl acetate) (PVAc) and acrylic emulsion paints but also simultaneously characterises the changes in chemical composition and morphology observed in the paint films as a result of ageing due to the paints being exposed to an intense source of simulated daylight. In parallel, a series of mechanical tests were performed that correlate the chemical changes in composition and the changes observed in the films' mechanical properties. This work was a comparative study between both types of acrylic and PVAc paints. The results obtained are of great interest for the modern paint conservation field as they provide valuable information on the mid- and long-term behaviours of these synthetic paints.

Pigments and binders are known to influence drying and ageing mechanisms of paint films. However, the study of the long-term mechanical behaviour of paint films and its relationship with paint degradation and conservation still needs further investigation. This paper presents an insight into the role of cobalt blue pigment in the mechanical properties of some modern paint films by studying selected commercial oil and alkyd paint films containing cobalt blue. In addition, several representative mock-ups containing cobalt blue mixed with drying and semi-drying oils and some common additives were also tested for comparison purposes. Optical microscopy, SEM-EDX, XRF, VIS-reflectance spectroscopy, FTIR-ATR and GC-MS analysis were carried out to identify pigments, binders, additives and fillers. Uniaxial tensile measurements were run to test the mechanical performance of the studied paint films. The differences in the mechanical behaviour led to the evaluation of the discrepancies found in the chemical and physical properties of the different formulations studied.