No abstract

The problem of the sense-production accompanies us throughout history and intensifies with each new technological paradigm. When we think of webdocumentaries (or webdocs), the universe of sense-production involves some typical concepts of digital writing that deserve to be rethought, such as interactivity, linearity, multilinearity and the very concept of narrative. From the analysis of 109 webdocumentaries made over two decades (2002-2020), which remain online, it was possible to verify an overlap between the formatting of the main webdocs production software and the standardization of the narrative structure as a reflection of the argorithmic configuration of each one of them. Flash and HTML (dominant during the first decade), Korsakow, HTML5, Klynt, RacontR, acted, each in its own way, according to the results obtained, decisively in the organization of contents, navigability, usability, hypertextuality and interactivity.

In 2014, a series of events marked the 50th anniversary of the military coup in Brazil. (2008), among others. The experiences with the game were used to categorize the levels of interactivity and reactivity, according to the possible paths followed by the reader/player. The extent to which the proposed simulation delineated narratives linked to the editorial profile of the magazine, and to what extent this can be used to encourage public debate.

Este trabalho visa discutir a importância da série True-Life Adventures, lançada pela Disney entre 1948 e 1960, para a formação daquilo que é conhecido como wildlife films. Foram privilegiados os aspectos socioculturais e econômicos que acompanham a reprodução imagética de animais não humanos desde o surgimento da câmera fotográfica para traçar uma perspectiva que permita analisar tanto as relações desses filmes com os ambientes sociais que os tornaram possíveis quanto à importância da série na construção do gênero em questão. Recorreu-se, assim, à pesquisa bibliográfica da literatura dedicada não só aos wildlife films, mas também à que trata de produções imagéticas precursoras.