Abstract:In this paper, we propose a new approach to couple formation and dynamics that abridges findings from sexual strategies theory and attachment theory to develop a framework where the sexual and emotional aspects of mating are considered in their strategic interaction. Our approach presents several testable implications, some of which find interesting correspondences in the existing literature. Our main result is that, according to our approach, there are six typical dynamic interaction patterns that are more or less conducive to the formation of a stable couple, and that set out an interesting typology for the analysis of real (as well as fictional, as we will see in the second part of the paper) mating behaviors and dynamics.

Abstract:In the first part of this paper, we have introduced a novel theoretical approach to mating dynamics, known as Tie-Up Theory (TU). In this second part, in the context of the bio-cultural approach to literature, that assigns to fictional narratives an important valence of social cognition, we apply the conceptual tools presented in the first part to the analysis of mating-related interaction dynamics in some blockbuster Hollywood movies from WWII to today. The interaction dynamics envisioned by our theory accurately reflect, to a significant level of detail, the narrative development of the movies under exam from the viewpoint of the mating dynamics of the couple of main characters, accounting for the specific reasons that lead them to react to certain situations via certain behaviors, and for the reasons why such behaviors lead to certain outcomes. Our analysis seems thus to bring some further legitimacy to the bio-cultural foundation of the narrative structure of the movies that we analyze, and moreover to the idea that it is possible to 'inquire' characters about their choices according to the narratological-experimental lines suggested by some proponents of the bio-cultural approach.Keywords: bio-cultural approach; fictional narratives; mating; Tie-Up Cycle; ways; interaction diagrams Because authors of fiction are free to construct narrative and characters unencumbered by the irrelevant detail that makes it hard to pierce real-life emotional events, we can read plays and novels as the closest thing to a controlled experiment involving high-stakes human emotions.Elster [1] (pp. 107-108)

We introduce a typological characterization of possible human heterosexual couples in terms of the concordance-opposition of the orientations of their active and receptive areas as defined by the tie-up theory. We show that human mating incentives, as characterized by widely adopted approaches, such as Becker’s marriage market approach, only capture very specific instances of actual couples thus characterized. Our approach allows us to instead explore how super-cooperation among partners vs. convenience vs. constriction may be regarded as alternatives modes of couple formation and cohesion, leading to very different types of couples with different implications in terms of stability and resilience. Our results may have interesting implications for future experimental research and for individual and family counseling.

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This article explores the structure of the male-female interaction in the human mating process from the perspective of the so-called Tie-Up Theory, applying it to the analysis of a cinematic fictional narrative, namely the Shakespeare in love movie. We look at romantic fictional narratives as possible simulations with a social cognition valence, and show that, in the case study under exam, the actual structure of the interaction between the two main characters reflects the basic steps of a successful mating process. In view of this, the fact that the long-term couple is not formed at the end of the story neither jeopardizes its social cognition valence, nor the audience's need and expectation of an emotional climax, as what makes the difference in terms of social cognition is not the story outcome, but the process that leads to it. Our research makes a case for a renewed interest toward romantic fictional comedies as an interesting source of insight into real mating-related interactions, provided that such narratives are socially validated in terms of audience response and intergenerational transmission.