This paper builds upon an earlier conference publication by the authors, offering contributions based on a systematic literature review and qualitative study. The paper begins by drawing attention to the paucity of "citizen"-more appropriately, "situated"-perspectives on what a smart city should and could be. The paper then addresses that absence by detailing a research project that explored how people in London, Manchester, and Glasgow responded to the smart city concept. Participants were asked questions regarding their prior familiarity with the phrase "smart city", their thoughts relating to what it means for a city to be smart, and what a "true" smart city might mean to them. The paper analyses and offers a synthesis of the responses collected throughout the research with the dominant rhetoric about smart cities, as identified through a recent systematic literature review, thereby providing a critical assessment of the values underlying the smart city. It aims to explore and present some of the expectations that citizens hold for their cities' politicians, policy makers, planners, academics, and technology companies. We believe that these perspectives from citizens can be used to inform responsible development, spatially and socially inclusive technologies, and ultimately more resilient cities.

Research into the values motivating unsustainable behavior has generated unique insight into how NGOs and environmental campaigns contribute toward successfully fostering significant and long-term behavior change, yet thus far this research has not been applied to the domain of sustainable HCI. We explore the implications of this research as it relates to the potential limitations of current approaches to persuasive technology, and what it means for designing higher impact interventions. As a means of communicating these implications to be readily understandable and implementable, we develop a set of antipatterns to describe persuasive technology approaches that values research suggests are unlikely to yield significant sustainability wins, and a complementary set of patterns to describe new guidelines for what may become persuasive technology best practice.

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This paper presents initial findings from Living Design, a project supported by the UK's Arts and Humanities Research Council. The research examines small and micro-enterprises in Cumbria, UK, and the potential for design to make a contribution to their sustainment and flourishing. The paper presents research carried out with enterprises in Cumbria, who use wool as their main material. We present three case studies of makers who create beautifully designed, wool-based goods and whose practice include the whole cycle from sourcing fleece locally and manufacturing of their products, to design, branding and retail. We explore how the enterprises exemplify sustainability principles and their contribution to a circular economy. We present our findings and the concept of Located Making-purposeful goods whose design, production or use is dependent on place-which is informing the development of guides for enterprises, researchers and organisations to embed sustainability principles into their practices.

This article explores the relationship between design for sustainability and traditional making practices. It presents results from key informant interviews and observational research into traditional hand making of functional goods in Santa Fe in the United States, Jingdezhen, China, various locations in New South Wales, Australia and Cumbria, United Kingdom. We find that such goods fall into three main categories, primarily utilitarian, symbolic and aesthetic. These practices are discussed in terms of their contemporary relevance, potential futures and relationship to current understandings of sustainability. More specifically, they are considered against the four elements of the Quadruple Bottom Line of Design for Sustainability (Walker 2014), a rigorous interpretation extended from the philosophy of Hick (1989), which comprises: practical meaning including environmental impacts; social meaning; personal meaning; and economic means. The originality of this research lies in the development of new arguments and insights with regard to the complex issues of design for sustainability and traditional making practices. Significantly, we find that many of these practices are intellectually consistent with broad, contemporary understandings of design for sustainability. However, we also find that it is often not easy to reconcile these practices with modern consumer culture. Our research shows that pursuing these practices part-time for their own sake, rather than for primarily commercial reasons can often facilitate the pursuit of excellence and the continuation of cultural traditions.