Resumen: El presente artículo revisita una experiencia artística abierta y colectiva organizada por Mirtha Dermisache en Argentina entre 1975 y 1981: las Jornadas del Color y de la Forma. En un contexto histórico signado por la censura y el terrorismo de Estado, las Jornadas se distancian del discurso oficial al invitar al público que asiste a expresarse libremente mediante técnicas plásticas, al tiempo que se realizan en espacios de gestión y control estatal. En este trabajo nos preguntamos sobre las condiciones históricas, discursivas e institucionales que posibilitaron dicha experiencia artística. Argentina between 1975 and 1981: the Jornadas del Color y de la Forma (Work Sessions of Color and Form). In a historical context marked by censorship and state terrorism, the Jornadas distance themselves from de official speech by inviting to the present public to express freely, while they took place under state management spaces. In this work we ask ourselves about the historical, discursive and institutional conditions that made possible this artistic experience.
Abstract: This article revisit an open and collective art experience organized by Mirtha Dermisache in
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