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This article analyses the successful Conservative election campaign of 2019 and how it took advantage of a fractured political and economic landscape. It reviews the unique circumstances around the 2019 election and the 'surprising death' of a no-deal Brexit. We then analyse the divergent political communication strategies in the 2017 and 2019 Conservative campaigns showing how the latter was much more coherent and politically unorthodox. Drawing on socioeconomic, demographic and British Election Study data, we argue that Boris Johnson's messaging was carefully tailored towards the demands of voters in the 'red wall' seats. Conservative success was built around an appeal to voters in these economically depressed 'geographies of discontent'. But while tremendously successful, the coalition this created is potentially fragile. An unconventional, 'leftish' Conservative campaign built a new, diverse bloc of voters. It includes a number of left-wingers expecting change alongside traditional Conservative supporters, and will be hard to keep together given the economic turbulence ahead.

Modern real-time graphics systems are required to render millions of polygons to the screen per second. However, even with this high polygon rendering bandwidth, there are still applications which tax this rendering capability. We introduce in this paper a technique which adaptively allocates polygons to objects in a scene according to their visual importance. It is expected that using this technique, an improvement in the perceptual quality of a rendered image should result, for the same overall number of polygons being rendered.We present both a theoretical basis and a complete design for a visual attention-based level of detail management technique. We also present some preliminary assessment of output from the system. Applications for this technique are expected to be found in the areas of entertainment, visualisation and simulation.

Benedict Anderson'sImagined Communitieshas long been established as one of the major contributions to theories of nations and nationalism. Anderson located the rise of national identities within a long-evolving crisis of dynastic conceptions of identity, time, and space, and argued print-capitalism was the key cultural and economic force in the genesis of nations. This article offers a critical appropriation and application of Anderson's theory through two steps. Firstly, it evaluates the conceptual underpinning of his approach through an engagement with recent scholarship on the ‘theory of uneven and combined development’. The fruits of this interchange provide a deeper analytical framework to account for what Anderson calls the ‘modularity’ of national identity, that is, its universal spread across the globe. Modularity is now reconceptualised as a product of combined development with its causal efficacy derived from the latent dynamics of a geopolitically fragmented world. The latter gave shape and form to the new national communities. Secondly, this revised framework is applied to the emergence of Chinese national identity in the late nineteenth century. This allows Chinese nationalism to be recast as an ideological amalgam of indigenous and imported elements that emerged out of the crisis-ridden encounter between Imperial China and Western imperialism in the nineteenth century.

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