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The use of the terminology of Islam Literature and Islamic Literature by literary academics and readers in Indonesia is still confusing. It is inseparable from the development of Islam in Indonesia after the New Order. At that time, publishers had a unilateral claim that their work was the work of Islam literature or Islamic literature. Based on that, this study aims to find the definition and characteristics of the terminology of Islam Literature and Islamic Literature. This study uses the dialectical method, which is a method that contrasts several different views on a problem, in this case, the definition of Islam Literature and Islamic Literature. To collect data, this study uses a literature study of experts' opinions, literary observers, data on literary works, and the development of Indonesian literature. The results of the discussion show that Islam literature refers to all literary works that are strictly based on the text of the holy book and hadith; while Islamic literature can be more fluid than Islamic literature, it does not have to be based on scriptures and hadith, but the values ​​contained in it must be still based on Islamic teachings.

AbstrakKarya-karya drama pada masa pendudukan Jepang di Indonesia (1942)(1943)(1944)(1945) pada umumnya sarat dengan propaganda pemerintah militer Jepang yang berusaha mengajak masyarakat Indonesia untuk membantu peperangan melawan Amerika dan Inggris dalam Perang Dunia II. Karya sastra dijadikan alat propaganda yang tepat, terutama drama, karena masyarakat dapat langsung menerima pesan-pesan dan mencontoh apa yang seharusnya dilakukan dalam masa perang itu. Para seniman kemudian dihimpun oleh Kantor Dinas Propaganda (Sendenbu) untuk bekerja dalam lapangan kesenian masing-masing untuk memberi semangat kepada rakyat Indonesia. Sejumlah penulis drama, antara lain seperti Usmar Ismail, El Hakim, Armijn Pane, Soetomo Djauhar Arifin, dan Merayu Sukma menyambut dengan semangat program pemerintah tersebut dengan menghasilkan karya-karya drama dan dimainkan oleh grup sandiwara yang juga banyak bermunculan pada saat itu. Plays in Japanese Occupation Period (1942-1945): Some Notes about Indonesian People in the War Era AbstractMany plays in Japanese occupation period (1942)(1943)(1944)(1945) were full of propaganda of Japanese Military Government that tried to influence Indonesian people to assist Japanese troops in fighting American army in World War II. Literature was used as a proper propaganda tool, especially plays, where people could get the message directly about what they should do in war situation. A lot of artists were gathered by the Propaganda Service Office (Sendenbu) to work on their fields of creativity (music, sculpture, literature, drama, painting) in order to encourage Indonesian people to participate in the war. Some playwrights such as Usmar Ismail, El Hakim. Armijn Pane, Soetomo Djauhar Arifin, and Merayu Sukma enthusiastically welcomed the program. They wrote many plays that were played by various drama groups that sprang up in that period.

(Title: Identity and Social Stigma in Short Story’s “Bila Jebris Ada di RumahKami” by Ahmad Tohari). Identity becomes a meaningful issue when a crisis occurs. Identity basically talks about ownership about what is generally owned and the difference with others. In the issue of identity there are problems with location, relationships, and involvement with others. The emergence of identity problems is in line with the growth of society as a consequence of migration, urbanization, and transmigration. On the other hand, the problem of identity is also triggered by awareness of gender, ethnicity, social class, and race. Therefore, identity in modern society is an important issue in the social sciences and humanities. The issue of identity in the pragmatic stage is illustrated througha variety of communities, mass media, films, or literature. Among those things, one of the potential media to express the problem of identity is literary work. There are many Indonesian literary works that question identity as an issue, one of which is a short story by Ahmad Tohari entitled “If Jebris Is in Our Home” (1991). This article discusses how the identity of a woman as a prostitute has created social problems for villagers. The social stigma is interesting to discuss from various social, religious, and human perspectives that may be interrelated or conflict with each other. The analysis of the short story shows that the resistance of the villagers to Jebris is based on religious thought and the principleof social harmony in the village.Keywords: identity, urban, religious, stigma

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