This study discusses the pattern of integration between the Javanese and Malays of Bangka Belitung over the centuries. The main source of this study is the transliteration of a manuscript of the Hikayat Raja Berekor, ‘The Saga of the Tailed King coded ML 84, held in the National Library of Indonesia, by Moenawar (1979). In addition, additional sources are the Carita Bangka text which was transliterated by E.P. Wieringa (1990) and the oral literary work “Asal Mule Kejadian Pulau Belitong dan Riwayat Raje Beikor” based on the study by Sarman (2013). This study attempts to explain the relationship between the Javanese and the Bangka-Belitung Malays in a literary and historical framework. The study uses qualitative methods through library study techniques. In data processing, the study uses the principles of intertextual work and a literary sociology approach. Based on text analysis there is a link between Java and Bangka Belitung. The relationship is a sign of a pattern of social integration and interaction, manifested in cooperation in dealing with a common threat, in the form of marriage that unites the two groups. The study also reveals the existence of similarities and differences in individual texts, showing how these have been integrated culturally.

Penelitian ini membahas visualisasi tokoh Purasara, Rara Amis, dan Semar dalam cerita dan pertunjukan wayang. Permasalahan yang diangkat adalah bagaimana hubungan cerita dan visual Purasara dalam naskah Melayu klasik, wayang kulit Jawa, dan wayang kulit Betawi. Berkaitan dengan hal tersebut, penelitian ini bertujuan untuk mendeskripsikan kaitan antara Hikayat Purasara di Betawi dengan pertunjukan wayang di Jawa. Penelitian ini dilakukan dengan menggunakan metode kualitatif dengan studi pustaka untuk penelusuran sumber dan penelitian lapangan untuk observasi dan wawancara. Data yang diperoleh dianalisis menggunakan pendekatan sastra bandingan untuk mengkaji keterkaitan antara cerita dan visual Purasara dari tiga korpus, yaitu Hikayat Purasara, lakon “Purasara” gaya Yogyakarta, dan koleksi wayang kulit Betawi milik sanggar Marga Juwita. Hasil penelitian menunjukkan bahwa cerita dan ilustrasi tokoh wayang baik dalam Hikayat Purasara maupun wayang kulit Betawi dipengaruhi oleh wayang kulit Jawa. Selain itu, melalui visual yang terdapat dalam tiga korpus tersebut ditemukan adanya pola bentuk penggambaran anatomi yang serupa di antara tokoh-tokoh tersebut. Akan tetapi, terdapat kekhasan pada visual tokoh wayang Betawi yang terlihat pada segi pewarnaan yang lebih terang, penggambaran atau tatahan dengan garis lebih tegas dan tebal, dan penyesuaian dengan prinsip agama masyarakat Betawi.

This paper is the result of a study of the Nusantara manuscripts using the historical text sources of Madura. The object of this research is the transliteration of a manuscript from the collection of the Central Library of Indonesia entitled Sajarah Proza Begin Brawijaya (SPBB) code SJ.230 Novarina edition (2020). In examining the manuscript, the philological method and literary theory framework were used. From the field of literature, Jan van Luxemburg's structural theory, Julia Kristeva's intertextuality, and Teeuw's concept of literary representation are used. From the structural study, it can be seen that the SPBB text framework is composed of literary structures and content structures (history), which as a whole serve to legitimize the power of the 17-18 century Madurese king. Meanwhile, the results of the intertextual analysis showed that the elements built into the content structure (history) of the SPBB text were connected with M.C. Ricklefs and H.J. De Graaf in representing Cakraningrat as the main figure in the history of Java, Madura, and VOC based on the author's life view to raise one of the values of the Javanese philosophy of life in this text. This linkage results in the conclusion that as a traditional Javanese historical literary work, the SPBB text is representative of its creator's culture, one of which is as a representation of the philosophy of mikul dhuwur mendhem jero in the Javanese view of life.

Abad ke-19 dapat dikatakan sebagai era peralihan sastra klasik ke sastra modern di kawasan Nusantara. Salah satu karya yang masih disalin pada masa ini adalah naskah-naskah yang berisi cerita MahabharataNaskah-naskah tersebut disalin untuk beberapa kepentingan, di antaranya untuk tujuan pendidikan dan penyewaan. Penelitian ini menguraikan sistem penyewaan naskah Melayu yang berisi cerita Mahabharata pada masa tersebut. Selanjutnya, analisis dilakukan secara deskriptif menggunakan pendekatan sejarah sastra. Kajian dilakukan dengan menganalisis kolofon naskah yang berisi cerita Mahabharata yang ada di koleksi Perpustakaan Nasional RI. Dengan demikian, penelitian ini dapat memberikan gambaran sistem penyewaan naskah cerita Mahabharata di Melayu pada abad ke-19. Hasilnya menunjukkan bahwa sistem penyewaan naskah cerita Mahabharata di Melayu memperlihatkan fungsi nilai ekonomi sastra pada masa tersebut. Selain itu, proses penyalinannya berfungsi sebagai usaha mempopulerkan cerita Mahabharata dan pemertahanan budaya tulis Arab-Melayu.

The concept of Nasakom was one of the most important pillars of Indonesian president Soekarno's Guided Democracy in 1965. Fundamentally, Nasakom is an attempt to merge three major ideologies: (1) nationalism as an attitude of defense and love for the state, (2) religion as an attitude of trust in God, (3) and communism as the attitude of struggle of the Marhaenist to be free from oppression. In 1960s Indonesia, magazines were one example of printed mass media that spread the concept of Nasakom. The inclusion of Nasakom in magazines also influenced the short stories included. This essay addresses Nasakom through the lens of the characters in three short stories in Varia magazine published in 1965: "Malam Tari Panen Bahagia," "Potret," and "Pergumulan Iman." To support the discussion of this article, the researchers use the characterization analysis method to analyze the literature through the lens of sociology as a reflection of the government's thinking during the Guided Democracy period. This article describes the nationalism, religion, and communism ideologies that go together in everyday life as a manifestation of Nasakom, which is conveyed through the attitudes of the characters in the short story. This research is significant in elucidating the function, role, and position of literature in history as the disseminator of Nasakom in Soekarno's administration in 1965.