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This paper examines the findings of a study we completed into progressive social work education in Canadian schools of social work. In our research, we found that schools of social work offer three key functions for the university: a connection to the community, a space that values diversity and a space of innovation. We investigate these themes in relation to the dynamics of performativity and fabrication. From conversations with those who participated in our research, it is clear that schools of social work play a key role in the university in terms of constructing a particular institutional image-a fabricated image. We articulate some key aspects of performance that are drawn upon in fabricating contemporary Canadian universities and the ways in which social work is positioned to enhance this fabrication. In the conclusion, we reflect upon what these findings and analysis mean for social work education.

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This article challenges public and private constructions of honourrelated violence as they impact second-generation South Asian women and girls in Canada. While much has been written about the victims of honour killings, including high profile cases of young women killed by their families in Canada, considerably less attention and space has been given to second-generation South Asian Canadian women and girl’s stories of survivance and resistance against honour-based violence (HBV). This paper moves towards storying processes of grieving and of witnessing public stories of HBV, and documents a collective writing process I undertook in collaboration with survivors of HBV. We shared narratives of grief and pain, and the power of collective storywork. The paper includes two letters that speak to the context in which second generation South Asian women are embodying resistance and reclamation, and witnessing stories of grief, loss, love, and acceptance.