Using Chicago as our case, this article puts forth a notion of black placemaking that privileges the creative, celebratory, playful, pleasurable, and poetic experiences of being black and being around other black people in the city. Black placemaking refers to the ways that urban black Americans create sites of endurance, belonging, and resistance through social interaction. Our framework offers a corrective to existing accounts that depict urban blacks as bounded, plagued by violence, victims and perpetrators, unproductive, and isolated from one another and the city writ large. While ignoring neither the external assaults on black spaces nor the internal dangers that can make everyday life difficult, we highlight how black people make places in spite of those realities. Our four cases -the black digital commons, black public housing reunions, black lesbian and gay nightlife, and black Little League baseball -elucidate the matter of black lives across genders, sexualities, ages, classes, and politics.

The research on which this study reports was informed by the following questions: Do Black gay men identify more closely with a racial identity or with a sexual identity? What experiences influence the saliency of a racial or sexual identity for Black gay men? How do Black gay men use daily interactions to inform a sense of self? Essentially, how do Black gay men negotiate stigmatized identities? Based on 50 in-depth interviews with selfidentified Black gay men, the author highlights three emergent models of identity negotiations: interlocking identities, up-down identities, and public-private identities. Identifying the strategies Black gay men use to understand both themselves and the larger Black and gay communities helps illuminate the diversity within those communities and highlights the ways in which individuals who find themselves at the intersections of racial and sexual stigma understand themselves and the larger communities to which they belong.

Using data generated from participant observation and semistructured interviews, I consider the ways in which nightlife, or what might be imagined as the nightly round—a process encompassing the social interactions, behaviors, and actions involved in going to, being in, and leaving the club—is used to mitigate the effects of social and spatial isolation, complementing the accomplishment of the daily round. Through an analysis of the social world of The Spot, I argue that understanding the ways in which urban blacks use space in the nightclub to mediate racial segregation, sexual segregation, and limited social capital expands our current understanding of the spatial mobility of urban blacks as well as the important role of extra‐neighborhood spaces in such processes. Further, I highlight the ways that urban blacks use space in the nightclub to leverage socioeconomic opportunities and enhance social networks. While I found that black heterosexual and lesbian and gay patrons used space in similar ways at The Spot, black lesbians and gays were more likely to use the club as a space to develop ties of social support.

Beginning with W.E.B. Du Bois's The Philadelphia Negro and Ida B. Wells's Southern Horrors, this review revisits and examines sociological research on urban Black Americans from the late nineteenth century to the present. Focusing on the approaches, frameworks, and sociological insights that emerged over this period, we examine this scholarship within two broad frames: the deficit frame and the asset frame. The deficit frame includes scholarship emphasizing both the structures that negatively affect Black urban life (e.g., disappearance of work, residential segregation, poor education, urban poverty) and the cultural “deficits” that either are adaptations to those structural realities or (as some deficit scholars argue) are the cause of urban Black hardships. The asset frame includes scholarship focusing on the agency and cultural contributions of urban Black Americans. Detailing the historical origins and contemporary use of these frames, we demonstrate how the sociology of urban Black America remains a reflection of the possibilities and problems of the broader discipline. The review concludes by outlining new conceptual opportunities offered by what we refer to as chocolate city sociology.

Facing economic changes and disinvestment, powerful actors in post-World War II American cities attempted to define the city as a space of public culture to confront demographic shifts, suburban growth, and the breakdown of community. Some civic actors, especially in older Eastern cities, looked to a nostalgic and heroic past where a theme of American identity became salient as a result of the Cold War and rapid cultural and economic changes in the postwar era. To achieve urban growth, elites argued for urban redevelopment policies based on historical themes and imagery. We examine the sociopolitical history of Philadelphia's Independence Hall redevelopment project (1948)(1949)(1950)(1951)(1952)(1953)(1954)(1955)(1956)(1957)(1958)(1959) and the development of the adjacent Society Hill neighborhood (1959)(1960)(1961)(1962)(1963)(1964). We offer the framework of memory politics-political contests over the use of shared community history-to examine how growth coalitions implement plans for economic growth, tourism, and civic allegiance. Philadelphia, particularly during the postwar era, exemplifies how heritage, politics, and place dynamically collide and direct urban development.