Over the past 20 years, there has been considerable anthropological investigation into the processes that many have come to label globalization. Although attempts within the social sciences have considered globalization processes in relation to articulations among ethnicity, gender, and sexuality, processes of racialization have only recently been taken up as central issues. In this article, we observe several new strategies of governance that emerged in the late twentieth century and onward and their implications for approaches to and understandings of race in the twenty-first century. These strategies have created new institutional spheres through which processes of racialization have proliferated, while still recalling earlier organizations of social division and classifications of human value. We reflect on significant spatial and temporal moments in an attempt to reanimate the way that economic and political processes not only have been managed through ideas about race but also have played out in relation to pre-existing social relations of inequality, poverty, and global exclusion. We are also interested in the ambiguities and challenges of racial meanings as they operate within multiple orders and different scales, especially in relation to contemporary intellectual silences.

In this article, four women engage, talk, and write about Indigenous sovereignty in Australia's southeast-the region of Australia most devastated by colonial incursion and the site of vibrant cultural activism in the present day. We are two non-Indigenous academics (Sabra Thorner and Fran Edmonds) working together with two Indigenous artist-curators (Maree Clarke and Paola Balla) in a process of collaborative, intercultural culture-making. We mobilise two ethnographic examples-Maree Clarke's backyard and the 2016-2017 Sovereignty exhibition at the Australian Centre for Contemporary Art-to assert that decolonising is an ongoing process which requires that non-Indigenous peoples acknowledge their own privilege, learn Aboriginal histories, imagine both difference and coexistence; and that the goals of decolonisation are as diverse as the activists calling for it. In both contexts, art/culture-making, alongside storytelling, are crucial forms of Indigenous knowledge production, led by Aboriginal women via their engagements with the artworld(s) in Melbourne and beyond.

Walking the Talk is a participatory artist residency that aimed to provide an alternative position in an academic conference. Artists Maree Clarke, wãni LeFrère and Dr Megan Evans were commissioned to create work in response to the themes of the 2018 AAANZ conference. Through performance, video, installation and exhibition, they disrupted the spaces of the conference and explored collapsed histories of the site at RMIT where the conference was held. Maree Clarke and Megan Evans created performance works that interrupted the conference workshops and lectures, and wãni LeFrère created work titled Investigation into Memory that activated a lecture/meeting room to dispel the notion that black bodies are only ever supposed to be in these spaces to be explored, studied, investigated, invisibilized and silenced.

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