The article proposes an interpretative study of Darren Aronofsky’s film Noah. The film draws inspiration from various spiritual traditions ranging from shamanism to Buddhism, whilst relying heavily on Jewish midrash, and adds a layer of innovation. Our main assertion is that the film attempts to present three viewpoints on issues of religion, humanity, nature, and God—while negating two of them and preferring one. Each of the various characters and groups in the film represents one of the three stances, as the film’s protagonist must cope with the problematic nature of his worldview and revisit it. The film engages with current pivotal issues: climate change, the depletion of natural resources, materialism and hedonism, fundamentalism in both religious and environmental trends, suspicion of religious institutionalized interpretations, and gendered spiritual religious beliefs. Thus, the film Noah is a cultural product that disseminates spiritual ideas and values within mainstream culture.
T he past 3 decades have seen a surge of renewed interest in blending religious traditions and spiritual doctrines and practices into modern psychology for the purpose of understanding and cultivating the human psyche (Miller
The article presents the feminist discourse on Lilith and asks why she has returned to the centre of activity and creation? It begins with Lilith’s Integrative Myth – a description of the classic Lilith myths – whilst trying to define her image’s central characteristics. Following, I offer one integrative myth: a complex essence that contains contrasts, and stems from a variety of sources, each contributing to the formation of Lilith’s story’s numerous aspects. Lilith’s Revival is discussed, surveying the different ways in which Lilith appears in today’s feminist spiritual discourse, while presenting some of the ways in which her story is re-interpreted and used towards contemporary feminist needs. A feminist Jungian outlook on Lilith’s Myths is included, deciphering Lilith as a symbol of the life-death-life cycle, which leads to a summary of the Jungian analysis’ implications.
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