In Northern Ireland's move from conflict to peace, policing has remained close to the top of the political agenda.

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This paper aims to increase the reader's understanding of how the notion of the 'bobby on the beat' has been elevated to iconic, if not mythical, status within British policing.In doing so, the article utilises the semiotic idea of myth, as conceptualized by Roland Barthes, to explore how through representations of the 'bobby on the beat' police officers have been projected in a more avuncular re-assurering role to a public fearful of crime, which fails to do service to the signifying practices that accompany and embody the visible police patrol. Indeed, police patrol work secures social space for the State and although it does reassure anxious members of society that their social world is safe and secure, for others, it further illustrates how their social space is fragile and troubled. On another level, the 'bobby' narrative has also been harnessed as part of a broader mythologizing of 'Englishness' and quintessential British characteristics.