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This article explores how different visions and values of science translate into different architectural shapes. I bring Peter Sloterdijk's 'spherology' to bear on my ethnographic fieldwork at the NEEM ice core base in Greenland, a significant node in the global infrastructure of climate science. I argue that the visual form of the geodesic dome of the camp materializes specific values and visions of this branch of paleoclimate science, which I elaborate vis-a-vis the pragmatic claims of the scientists/designers and the particular architectural history of Danish ice core drilling in Greenland. I argue that this aesthetic history articulates with Buckminster Fuller's ideas of a 'new nature' and 'scalar connections' encapsulated in his geodesic form. Second, I argue that the aesthetic production of space in the camp replicates the modern distinction between science and society, in so far as the lab space is rectangular and the recreational space is spherical. Third, I argue that NEEM scientists and Sloterdijk are essentially engaged in a common project: the scientists work hard to align air bubbles in the cores with atmospheric fluctuations in the hemisphere on the evidentiary terrain of ice, and Sloterdijk attempts to connect micro-uteri with macro-uteri in an attempt to fundamentally rethink space. Fuller's notion of 'Spaceship Earth', appropriated by Sloterdijk in his thinking about anthropogenic climate change, lends itself well to capturing the scalar alignments and the isolated NEEM base - on a mission to save planet Earth. In conclusion, I argue that Sloterdijk's spherology may serve as a point of departure for rethinking the aesthetic grammar of the architecture of science.

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