This article claims that the study of irregular migration may be a strategic research material for the development of an adequate understanding of contemporary society. The field, however, suffers not only from a lack of reliable empirical data, but also from endemic undertheorizing. The article shows how the attempt to develop an understanding of irregular migration from within a general theory of modern society has positive consequences both for the clarification of the problems and for the design of research programs able to deal adequately with the phenomena. Particularly, it is argued that a theory of modern society centered on its form of differentiation may help to clarify both the political dimension of contemporary international mobility, the variety of irregular statuses existing in the foreign population of receiving countries, and the condition of inclusion and exclusion of irregular migrants.
This article explores the meanings of hyper-feminine performances enacted by a group of former USSR women migrating to Alpinetown (in northern Italy) and employed as live-in careworkers. Utilizing data from a three-year, multi-sited ethnography, I describe the ways in which they draw social boundaries and advance generalized claims for respect. I also document how such hyper-femininity is rooted in a performative understanding of womanhood as a normative project. Using evidence collected both in Alpinetown and in the sending areas, I also argue that hyper-femininity in emigration plays a compensatory role, allowing these women to detach themselves from conditions they regard as degrading. A main implication of the findings is that the notion of hyper-femininity may be usefully generalized beyond the Western middle-class contexts in which it was originally applied, to address the various ways in which women of different backgrounds make use of gender symbolism to establish claims to social worth and respect.
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