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BackgroundRecent reviews question current animal models of depression and emphasise the need for ethological models of mood disorders based on animals living under natural conditions. Domestic horses encounter chronic stress, including potential stress at work, which can induce behavioural disorders (e.g. “apathy”). Our pioneering study evaluated the potential of domestic horses in their usual environment to become an ethological model of depression by testing this models’ face validity (i.e. behavioural similarity with descriptions of human depressive states).Methodology/Principal FindingsWe observed the spontaneous behaviour of 59 working horses in their home environment, focusing on immobility bouts of apparent unresponsiveness when horses displayed an atypical posture (termed withdrawn hereafter), evaluated their responsiveness to their environment and their anxiety levels, and analysed cortisol levels. Twenty-four percent of the horses presented the withdrawn posture, also characterized by gaze, head and ears fixity, a profile that suggests a spontaneous expression of “behavioural despair”. When compared with control “non-withdrawn” horses from the same stable, withdrawn horses appeared more indifferent to environmental stimuli in their home environment but reacted more emotionally in more challenging situations. They exhibited lower plasma cortisol levels. Withdrawn horses all belonged to the same breed and females were over-represented.Conclusions/SignificanceHorse might be a useful potential candidate for an animal model of depression. Face validity of this model appeared good, and potential genetic input and high prevalence of these disorders in females add to the convergence. At a time when current animal models of depression are questioned and the need for novel models is expressed, this study suggests that novel models and biomarkers could emerge from ethological approaches in home environments.

The social organization of captive groups of adult male and female starlings caught in different localities was studied to understand the possible social basis of song sharing. In the nonbreeding season, the social organization was based on within-sex groups or pairs and a few intersexual pairs. The pattern of song sharing clearly reflected the social organization. Members of the social pairs of females shared most of their songs, whereas males shared songs with other males to an extent that depended on their degree of social association. Song sharing was mostly restricted to birds of the same sex. The ability for adult vocal plasticity in both males and females may reflect the variety of possible social situations in this species.In the past decade, the importance of social input on the amount and plasticity of song learning and the choice of tutor has been increasingly demonstrated in different species (indigo buntings [Passerina cyanea], Payne, 1981; marsh wrens [Cistothorus palustris], Kroodsma & Pickert, 1984; white-crowned sparrows [Zonotrichia leucophrys],