This article investigates the use of social media for visual framing of the conflict in Eastern Ukraine. Using a large set of visual data from a popular social networking site, Vkontakte, the authors employ content analysis to examine how the conflict was represented and interpreted in pro-Ukrainian and pro-Russian online communities during the peak of violence in summer 2014. The findings point to the existence of profound differences in framing the conflict among proUkrainian and pro-Russian online communities. The former tended to interpret the conflict as a limited military action against local insurgents, whereas the latter presented it as an all-out war against the Russian population of Eastern Ukraine. The article suggests that framing the conflict through social media facilitated the propagation of mutually exclusive views on the conflict and led to the formation of divergent expectations in Ukraine and Russia concerning the outcome of the war in Donbas.

This article discusses how popular culture products – digital greeting cards – interact with hegemonic historical narratives in the context of war remembrance. It employs the Foucauldian concept of counter-memory to analyse how user-generated mnemonic content interacts with historical power relations. Using content analysis to examine a sample of amateur greeting cards, the authors investigate how these cultural products engage with official and counter-official memory practices in Russia related to the Soviet victory in the Second World War. Specifically, the article explores how different visual elements are employed to (de)construct specific narratives about the Soviet victory and it discusses how the use of computer graphics, in particular animation, influences the potential role of greeting cards as a means of resurrecting the subjugated past.