"But the increasing interest in connected, more specifically spontaneous speech data bases has made it mandatory for researchers to enter into phonetics and phonology above the word in real-life communication, and it is in this domain that glottalisation phenomena abound." (Kohler 2001: 317) Abstract: The present paper examines glottal stops and the glottalisation of word-initial vowels in Polish and German. The presence of glottal marking is studied depending on speech style ('speech' vs. 'dialogue'), prominence, phrasal position, speech rate, word type, preceding segment, and following vowel height. A question is also posed about the extent to which glottal marking might be dependent on the rhythmic structure of a given language or style. We analyzed recordings of 18 Polish and German speakers. The results point to significant differences between the two languages. In German, glottal marking occurs significantly more often (63.4%) than in Polish (45%). Whereas in both languages (and both styles) the majority of prominent vowels are more often glottally marked than non-prominent vowels, in German word-initial non-prominent syllables are also marked relatively often. Regarding phrase position, glottal marking occurs significantly more often at the phrase-initial position compared to phrase-medial position in Polish, while no such difference has been found in German. In addition, it is shown that in both languages glottal marking is strongly dependent on the tongue height of the marked vowel: low vowels are more frequently glottalised than non-low vowels. Finally, glottal marking in Polish is more likely to occur when rhythmic variability shifts towards the 'indeterminate', strengthening the hypothesis that glottal marking facilitates perceptual grouping.
Two calling melodies of Polish were investigated, the routine call, used to call someone for an everyday reason, and the urgent call, which conveys disapproval of the addressee's actions. A Discourse Completion Task was used to elicit the two melodies from Polish speakers using twelve names from one to four syllables long; there were three names per syllable count, and speakers produced three tokens of each name with each melody. The results, based on eleven speakers, show that the routine calling melody consists of a low F0 stretch followed by a rise-fall-rise; the urgent calling melody, on the other hand, is a simple rise-fall. Systematic differences were found in the scaling and alignment of tonal targets: the routine call showed late alignment of the accentual pitch peak, and in most instances lower scaling of targets. The accented vowel was also affected, being overall louder in the urgent call. Based on the data and comparisons with other Polish melodies, we analyze the routine call as LH* !H-H% and the urgent call as H* L-L%. We discuss the results and our analysis in light of recent findings on calling melodies in other languages, and explore their repercussions for intonational phonology and the modeling of intonation.
This article examines the motivation for phonological stop assibilations, e.g. /t/ is realized as [ts], [s] or [t∫] before /i/, from the phonetic perspective. Hall & Hamann (2006) posit the following two implications: (a) Assibilation cannot be triggered by /i/ unless it is also triggered by by /j/, and (b) voiced stops cannot undergo assibilations unless voiceless ones do. In the following study we present the results of two acoustic experiments with native speakers of German and Polish which support implications (a) and (b). In our experiments we measured the friction phase after the /t d/ release before the onset of the following high front vocoid for four speakers of German and Polish. We found that the friction phase of /tj/ was significantly longer than that of /ti/, and that the friction phase of /t/ in the assibilation context is significantly longer than that of /d/. Furthermore, we unexpectedly found that the friction phase of /tj/ is significantly longer than that of /di/. An additional finding not related to the topic of the present study was that the Polish voiceless stops of the four speakers tested showed aspiration, in contrast to phonetic descriptions of these sounds as unaspirated.
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